This is the Library of Congress’s Sousa collection, box 1, folder 2: autograph manuscript and typescript libretto from The American Maid. Transcribed and edited by Arthur O’Dwyer (2025). Horizontal rules separate pages.

Corrections and issues are marked in the text like this, with further details in the mouseover text.


Manuscript (Sousa?) in black ink. Note that this seems to be an early draft of “Nevermore,” but these lyrics do not actually appear in the p/v score. The p/v score’s version seems to have been completely rewritten (see other pages in this transcription); to judge from the handwriting, the initial attempts were by Sousa and the later version was by Franklin P. Adams.

No more I'll speed by auto from New York to Baltimore Bat’ry to the Bronx.   No more the cops will yank you on the fly. At the druggist I won’t wink Coca-Cola’ll be my drink All the blandishments of highballs I’ll defy.   Give my socks to Aunt Maria   Tho’ she wears her own much higher She will find that mine are cooler in July.


Manuscript (Adams?) in green ink, with emendations in pencil. Note that this song does not appear in either Bierley (1984) nor the p/v score.

(21

Perhaps I am wofully English,   It’s something I am not to blame for, But all your American jinglish   Silly song I have no name for.     I oughtn’t to say they are silly—       Perhaps, from your view, they are not. But I can’t see them using both my eyes So tell me truly, put me hep or wise. To all the phonies of you Yankee guys,   when someone sings such rot—     Such Thomas rot—     This sort of rot:       CHORUS.   Be my honey, love.     When the bobolinks sing so gay; (Business)   Be my funny love,     In August, the months of June, July and May,       Oh! Be my own Lavinia, dear,       Way down in ol’ Virginia, dear       And I’ll try lovin ya’, dear     For that’s the Yankee way Oh, why can’t stupid British people see the   sprightly humor of the U.S.A.?


Typescript.

(Entrance of MACK, Act 1.)

Mack [To Parks] Remember your engagement, sire—

Parks [Crestfallen] My engagement looks like a battle.

Mack [Interested] Troubled, sir?

Parks Yes. You know old Pompton thinks I’m a fool.

Mack [With spirit] Don’t stand for it.

Parks [Expectantly] What shall I do, Stumpy?

Mack [Wisely] Make him prove it. [Bus. as both look knowingly] Oh, sir— [offers paper to Parks] O.K. this please.

Parks [Taking paper] What’s this for?

[i>Parks busy reading paper.]

Mack [Unconcerned] Only some more tires—

Parks [Quickly and roars] More tires; great scott, what do you do, eat them?

Mack [Sorry] No sir, but I’m tired—

Parks [Quickly] I should say you were, not only physically but automobileacally, where’s your expense account for yesterday? [Businesslike]

Mack There it is—

[Bus. as Mack unfurls a long roll of paper across stage holding onto one end]

[Smiles] That’s all I’ve had time to put down—


Parks [Gasping at bill] Are you sure you didn’t forget something?

Mack [Thinking] I think that’s all we spent.

Parks We spent? [Examines bill] Why these extra spark plugs?

Mack [Winks knowingly] Sparking, sir— [Parks glances at him wisely]

Parks [Continues reading] a new glass—

Mack [Quickly] Shield, sir—

Parks [Hotly] Hot air—

Mack [Saluting and unconcerned] No, wind, sir!

[Bus. as Stumpy starts to roll up bill]

Parks [Stops him] What’s that? [Points to bill]

Mack [Looks, then smiles] Vintage,—er—for the machine—gasoline, sir. [Keeps on rolling up bill]

Parks [Severely] Stumpy, you’re spending altogether too much money—

Mack [Explanatory] But, sir—

Parks Don’t Butt me, you’re not out in the car now. You must reform your daily expenditures, like I am going to reform.

Mack [Surprised] You, sir?

[Into regular dialogue now of just before song “NEVER MORE.”]


Typescript.

[During scene on sofa between the Duke and Geraldine — Act 1.]

Duke [Apologetically] Oh, dear me, I’m afraid you’ll imagine me a regular bear—

Gerl. [Quickly] No fear Duke, bears are noted for their hugging. [Bus. for her expectant]

Duke [Not noticing] Aren’t they clumsy creatures too? What?

Gerl. [Hurt] They at least realize what they are doing.

Duke [Perplexed as to what to say] Oh, by the by, has your fortune ever been told?

Gerl. [Warmly] Father will probably tell you if you are interested.

Duke [Embarrassed] Oh, may I—may I— [Bus. of Gerl, expectant] May I kiss— [She pouts her lips] your hand?

Gerl. [Vexed] I can’t get my glove off— [Bus. as she tugs at her glove] [Self-confessed] But I have no veil on.

Duke [Not understanding] By jove, you look better without one, Miss Pompton.

[Then into scene where she says “Miss Pompton, etc.”]


[During the speech scene by Parks where—

Mack Who’s got a nickel till I rush the can?

[Bus. as Parks hands him money]

Parks Here, change that dime.

Mack [Taking money] How do you want it changed?

Parks Into a quarter—

[Then right into speech again as before]


(During lunch scene — Act 2.

Parks [To delegation] Are you boys dining anywhere Tuesday?

Sparks [With others] No! [Expectantly]

Parks [Unconcerned] Won’t you be hungry Wednesday?

(When Parks is ordering waiters to fetch in four hundred lunches—

[Sparks and delegation are eating and filling their pockets with lunch.]

Parks [Turns and to them] Have something more, boys.

Sparks [Choking] No—er, we’re full now.

Parks [Offers it] Put some in your pockets.

Sparks [Points to others and himself] Can’t; they’re full too. [Bus. as waiter holds hand for tip]

Mack [To delegation] Slip him something. [Nods to waiter]

Dutch [Makes pass at him] Chure—dis is dott! [Italian catches him]

Sparks [To them] Boys, remember tips are forbidden here.

Parks [Smiling] So were apples in the garden of Eden.

(Into dialogue just before exit with lunches etc.


(During scene with water pails in Act 2.)

Parks If I stick to this job I’ll be a great marine artist some day.

Annabel [Eagerly] How’s that?

Parks [Poses] Drawing water all day.

In scene where Parks and Wade talk of selling the mine in Act 3 — Regular dialogue to where he says

Parks Well I’m crazy to get it. [Parks starts off]

Wade [Stops him] Just a minute, I’ll not be led by a fool. [He passes Parks]

Parks [Looks at him] Well, I’m not so particular. [Follows him]

(Wade stops and

Wade

(Into his regular dialogue as to why Parks is against him in this deal etc.)


WHEN YOU CHANGE YOUR NAME TO MINE:

He. You’re the girl for my money I like your style And your sweet smile Makes my heart feel so funny; Just ’cause you said “Someday we’ll wed” We won’t keep a horse but then maybe Some day if my dreams should come true, A carriage we’ll keep for the baby And Sundays I’ll drive it for you.

Refrain There’s girls by the score But for me, I adore Just you, dear; and you’re worth all the others; I haven’t the cash, So we can’t cut a dash, But I love you, so nothing else bothers. In some little flat We’ll make a start With everything new and fine, There we will be happy, And never be scrappy, When you change your name to mine.

She I shall learn to do cooking   I’ll bake some pies,   As a surprise; And for you I’ll be looking   By the front door   Each day at four. I’ll never be jealous or scold you,   Your wages I’ll keep for you dear. With bank-books in my name I’ll hold you,   Should love for me cool as I fear.

Refrain There’s girls by the score But just me you adore, I’m your dear and I’m worth all the others. You haven’t the cash So we can’t cut a dash But you love me so nothing else bothers. In some little flat we’ll make our start With ev’rything new and fine. There we will be happy And never be scrappy When I change my name to thine.


Typescript with emendations (Sousa?) in black ink.

CHEER UP!

Annabelle, Geraldine, Rose, Jack, Stumpy, The Duke.

Jack Let’s go through the world with a smile on our face, tho’ we sorrow Duke Something like this—? Rose and Stumpy Something like this—? All Come, cheer up!

Jack Though we are convinced that each one will be sadder tomorrow Duke A smile and a kiss— Rose & Stumpy A smile and a kiss— All They’ll cheer up!

Black is the night and dreary the day   ’Twill always be darksome and dreary Rough is the road and weary the way   Life’s road is both cut-up and weary ‘Twill always be rough and weary. The babe gets her bumps— With the measles and mumps— So cheer up— Cheer up. The (maid/man) gets the hook When by love (she’s/he’s) forsook So Cheer up— Cheer up— Then hail to the (maid/man) who laughs alway Twice hail to the (maid/man) who is ever gay Ha, Ha, Ha!   Cheer up!

Refrain

The sailor’s happy on the seas The tom-tit is happy among the trees The bull pup’s happy catching fleas, So let us cheer up to-day.


Manuscript in black pen.

The shades of night were falling fast As through an alpine village past A youth who bore mid snow and ice A banner with the strange device Hark, hear the tick tick ticking Hist, hear the click, click, clicking Hist, read the message be it real or sham   Tho Wilson says the tariff’s high   He’ll change it when the piggies fly Thus reads this particular Marconigram.

T+T+

Kitty Cheatham

Glen MacDonough? Sallie Fisher?


Page 12 is identical to page 9: a duplicate copy of the typescript for “When you change your name to mine.”


Manuscript (Adams?) in green ink. Paper has “Franklin P. Adams” letterhead.

The Dinner Pail

The festal board of an Earl or Lord I do not like a little, Nor the fancy fare of a millionaire With its wine and costly victual— [on pails] Tap, tap! — — Tap, tap! Its vintage and its victual—

I’m not devote to the table d’hote   With its wine than water thinner; My simple hunch is the box of lunch— The pail that holds the dinner. [on pails] Tap, tap! — — Tap, tap! The pail that holds the dinner.

CHORUS

So let us lilt a lyrical lay To the merry meal of the middle of the day And let us chorus “Hail, all hail To the winsome, tinsome dinner pail.


Manuscript (Adams?) in green ink. Paper has “Franklin P. Adams” letterhead.

I have no wish for the soup or fish   For the terrapin or pheasant The simple sandwich made by hand   To me is far more pleasant [on pails] Tap, tap! — — Tap, tap! Cold ham to us is pleasant. A hard boiled egg and a turkey leg   And the beer that the boy is bringing Appeal to me so thoroughlee   I can’t refrain from singing [on pails] Tap, tap! — — Tap, tap! He simply can’t help singing:

Chorus

So let us lilt, etc.


Typescript on onion paper.

14.

SONG: “THE DINNER PAIL”

The festal board of an Earl or Lord I do not like a little, Nor the fancy fare of a millionaire With its wine and costly victual— ALL: (on pails)     Tap, tap! — — Tap, tap!     Its vintage and its victual

I’m not devote to the table d’hote With its wine than water thinner; My simple hunch is the box of lunch The pail that holds the dinner. ALL: (on pails)     Tap, tap! — — Tap, tap!     The pail that holds the dinner.

CHORUS: So, let us sing a lyrical lay To the merry meal at the middle of the day And let us chorus, “Hail, all hail To the winsome, tinsome dinner pail.”

I have no wish for the soup or fish For the terrapin or pheasant The simple sandwich made by hand To me is far more pleasant. ALL: (on pails)     Tap, tap! — — Tap, tap!     Cold ham to us is pleasant

A hard boiled egg and a turkey leg And the beer that the boy is bringing Appeal to me so thoroughlee I can’t refrain from singing ALL: (on pails)     Tap, tap! — — Tap, tap!     He simply can’t help singing.

Chorus

So let us sing a lyrical lay To the merry meal at the middle of the day And let us chorus, “hail, all hail To the winsome, tinsome, dinner pail.”


Manuscript, in black ink.

Exit at end of duet. Enter Pompton as a Mexican.
the Mexican, Senor General Fuentes has despatched request that for lunch—
me for money you promised [illegible] Our army has captured
[Vanem?] and Esperanza. The General
demands expects you to bring him $100,000 today to protect your property. you promised to protect your property at Esperanza.

Pompton What guarantee have I that the oil workers will be protected?

The Mexican General Fuentes’ solemn word.

Pompton And if I don’t pay—

The Mexican Then zip—up she goes.

Pompton Sh! Some one is coming.

[Enter Jack.]

Jack Congratulations, Mr. Pompton, on having Mrs. Pompton restored to your heart and home.

Pompton Hush. It was a narrow squeak. They demanded fifty thousand for her ransom.

Jack Good things come high.

Pompton Preposterously high. Just think of it—fifty thousand dollars for one woman. I wouldn't have minded a hundred or so. But 50,000.

Jack Exorbitant. Good thing it wasn’t a [illegible] they kidnapped.

Pompton But I got her back without costing me a penny. Don’t mention it.

Jack I want Thanks to the Banses wet the rise


2

Pompton This gentleman [pointing to Mexican] has informed me that the Esperanza oil fields are in possession of the rebels.

Jack Let us hope they’ll put some of the oil on their troubled waters, and give the stock a chance to go up.

Pompton Maybe the works will go up instead. The situation at Esperanze is most serious. If the insurictas should revolt—

Jack Do you want to sell


II act

13½
Shall I do it.” (Enter Col Vandeveer)

Col. V. Hello Jack, I came to conform a review.

Jack About what

Col. V. About you and the Esperanza oil fields—

Jack And you wish to know.

Col. V. I’ve just learned that Pompton was the disturbing element in the Syndicate that refused my option and deliberately planned to ruin me.

Jack That’s what they say at the club on Wall St.

Col. V. And when my stock was thrown in the market he bought huge blocks at a ridiculously low figure.—

Jack And would have bought all at a still lower ridiculous figure if I hadn’t appeared on the horizon and gobbled up the rest.

Col. V. Then you helping is it as an investment.

Jack Sure. As soon as Mexico rights itself, the Esperanza will be worth millions.

Pompton Col. V. Does Pompton know you are bidding have bid against him?

Jack Oh no! He would get up on his hind legs and howl if he should for one of his humble wardsmen was fighting him in the stock market.

Col. V. Why don’t you tell him?

Jack Not now Watch me. I will.

[Illegible] see page 13


Manuscript (Adams?) in green ink with pencil annotations.

Geraldine’s Song, with Chorus (23

The dramatist of yesteryear was certainly a yap He didn’t cater to the mob; he knew not vim nor snap The Bard of Avon—this is not a knock nor yet a boost Would have an awful time today to get Macbeth produced Unless he made the witches six, and in a woodland “set” Contrived to put some “ginger” in the caldron—a sextette— With up-to-date vocabulary — Each a pretty miss To do a swishy dance and sing inanities like this:

Round about the caldron go   All the ladies of the show   Wearing over eighty three   Dollars worth of lingerie     Double, double     Toil and trouble   Life is but a rainbow bubble.


23½

Chorus to Geraldine’s Song

Round the caldron the ladies go, They’re the hit of the Shakespeare show,   What a hand they would get   With a duodectette! Round the caldron the ladies go     / or / As the caldron around they go.


Typescript on onion paper.

QUINTETTE: Rosa — Geraldine — Anna — Jack — Duke.

DIALOGUE: Anna — Geraldine — Rosa.

Rose Signor—

Jack What is it fair maid?

Rose Come will you ahve your fortune told,   Cross my palm with coin of gold; All your past I will unfold,   Your future reveal.

  [Reads hand] You love a maid who loves but you   But to another maid you flew; A thing no gentleman should do   [Mysteriously]   In either woe or weal, You are engaged but love another,

Jack Wonderful!

Rose You love another whose engaged.

Jack Marvelous!

Rose Who duty’s call you’d like to smother,   Your heart is not assuaged.

Jack Let me but see the one I love

Rose   [Blindfolds him] You must not see but you shall hear Come forth fair maiden, your cavalier is here.

Jack This is a prank of Annabelle and Geraldine. Just what’s the scheme they’re working I can’t just glean

Rose Come forth fair maid,

Jack   Come forth fair maid

Rose Your cavalier is here,   The mighty sovereign of the nile, Commands you to appear.

  Annabelle. La La.

Anna Sweetheart by the twinkling stars on high   Sweetheart by the blueness of the sky Sweetheart till the deepest sea runs dry   My ev’ry thought is of you.

Anna & Jack Sweetheart, etc.

[Enter Duke]

Rose Signor—


Manuscript in black ink, with emendations in pencil. Note that “You Do Not Need a Doctor” is listed in Bierley (1984), although it does not appear in the p/v score.

J. There is something in my optic Will you diagnose the case

Tho it may be microscoptic This is very soundly out of place.

A. Let me feel your pulse’s beating Let me look into your eye— Ah, I think see you’re over-eating That’s the wherefore + the why.

    One—two—three.

J.     One—two—three.

A.     Rather fast.

J.     Rather fast.

A.     It won’t last.

You do not need a doctor— But only love and laughter The glances of a maiden Just now is what you’re after You’d start the welkin ringing Likewise you’d shake the rafter   If she you love would only say the word.

J. I think my heart is quite affected.

A. No one would ever have expected.


2

J. I wish you’d give me something for it. A. Something that will soon restore it. J. Cruel treatment no doubt tore it.     Into pieces

Both If (I/you) could help no doubt you would, In fact it’s my belief I should, Perhaps there’s somebody who could,   Therefore do not give up.

You do not need a doctor, etc.


Manuscript (Adams?) in green ink with emendations (not Sousa?) in pencil.

67½

Duet—Jack and Stumpy

J. The time has come is nigh to bid goodby to fashionable frills S. You say the time has come to say good-by? J. For no longer shall you care For the garments that I wear S. No more shall I select the proper tie? Both     No longer (shall I/will he) press     All (my/his) articles of dress No more (shall I/will he) select the proper tie.

CHORUS Together

Fare ye well, O frills of fashion, fare thee well, O social smirk, For your slave has formed a passion for the novelty (called) of work And considering his former mode of living very wrong Boldly bids good-by to Folly... So long... ... So long.


Duet. (2) 67¾

II.

S. So it to be good-by to me as well as evening clothes? J.   It certainly includes your worthy self. S.     But what am I to do     When I cannot go to you   And frisk you for a fraction of your pelf? S+J.     I really do not know     Who will furnish (me/you) the dough   When (he stops/I stop) as (my/your) provider of the pelf.

CHORUS Together

Fare ye well, etc.

Stumpy [affected] Mr. Jack, sir, I don’t know what to say–

Jack Then don’t say it, Stumpy.

Stumpy I can’t believe it, sir—


(20

Song—Duke

According to popular rumor,   The British mind is none too rapid, And what is known as Yankee humor,   Strikes Englishmen as rather vapid.     Americans, maybe, are witty       I hate to suggest they are not, But tell me truly, for I yearn to know, Just what is funny in your vaudeville show   That makes your audiences giggle so     When someone sings such rot—       Such Thomas rot—       This sort of rot.

Chorus.

In the valley, love,   Where the summer sun shines all day, Let us dally, love,   And these words he to her did say:     “Whenever bells are ringing, dear,     I’ll always be a-singing, dear,     And also buck-and-winging, dear,   In perfect Yankee way.“

Oh, why can’t stupid British people see the   sprightly humor of the U.S.A.?


Typescript with emendations in pencil.

“WIRELESS.”

VERSE 2

Jack When wife and hubby disagree How easy now divorce will be In place of trips out West, the pair Can flash their troubles through the air.

Geraldine [wiring] “Dear Judge—just think of such abuse No motor car for my own use.”

Jack [wiring] “Dear Judge—the car I bought for two I think I ought to ride, don’t you?” Don’t you, don’t you, do not you.

Duke Jack Ah! Hark! hear the tick-tick-ticking Hark! hear the click-click-clicking Hark! comes the message— Now, my friends, be clam—     [reads] “Divorce for the lady at the bar With custody of motor car.” Thus reads this particular Marconigram.

    all repeat refrain

Verse 3

Geraldine Duke For pugilistic championships Decided only with the lips There’s nothing like the hot air route To settle such a fierce dispute.


Jack [wiring] “Consider that I slapped your wrist And gave your nose an awful twist.”

Duke [wiring] “Regard your face as scratched—so there— Assume that I have pulled your hair.”

Geraldine Duke (reads) Hark! hear the tick-tick-ticking Hark! hear the click-click-clicking Hark! here’s the ruling on this battle sham.Now all their bluster is an awful sham     [reads] “That one I shall disqualify Who makes the other fellow cry.” Thus reads the referee’s Marconigram.

They’ll never scrap for name or fame But for the money in the game, Thus reads this particular Marconigram.

    All repeat chorus refrain


Typescript.

[Workmen begin to form a barricade with tables, stools, pieces of machinery, which they demolish. The three walking delegates suddenly seize Pompton before he can who is at the telephone, and raising him on high, hustle him to a window L. A workman jumps forward and throws up the window.]

Lefty [Loudly] Now boys, out with him. All together. One, two,—

[They swing Pompton. Geraldine and Jack make determined effort to stop the crowd that holds Pompton, Geraldine taking position before the window, and Jack laying his hand on Lefty’s arm. At that moment, as Lefty is ready for the third count, enter Col. Vandeveer, in army uniform.]

Col. V. [on threshold—stops in surprise] Stop! This is not the time for Americans to fight each other. We have declared war against Spain. President McKinley calls for 125,000 men. Who volunteers?

[Pause—a change comes over the crowd. Suddenly they grasp the implements with which they intended to resist the police. Lefty and Delegates free Pompton, who drops to the ground, furious and dishevelled. All cheer and crowd about Col. V.]

All [shouting] I will! I will! [They raise their hands]

Pompton [sneeringly] How about your Union?

Jack There’s only one Union now, and that’s the U.S.A. [Renewed cheers]

SONG: “FROM MAINE TO OREGON.”

CURTAIN.


Typescript on onion paper.

Act I:

“The Matrimonial Mart”

Anna I cannot understand a bit, when all is done and said, Why girls are brought into this world for nothing but to wed; A matrimonial barbecue, the social marriage mart, That’s all we’re really meant for, and we’re perfect in the part.

Mrs. V. When (I/she) was but a tiny tot, a trusting little girl, (My/Her) nurse taught to primp and puff, beribbon and becurl, To smirk and smile and talk with ease To move with style and grace, To deck (myself/herself) in clothes that match the contour of my face. Oh, why did cruel fate ordain that I become a miss? Would that I always had retained the ignorance that’s bliss, And stayed forever and a day, in childhood’s fairy-land, Where everyone and everything are good and pure and grand.

All Three   “Little Miss Muffet she sat on a tuffet,     Eating her curds and whey,   Along came a spider and sat down beside her     And frightened Miss Muffet away.”

  “Old Mother Hubbard, she went to the cup-board     To get her poor doggie a bone— And all the rest, I love the best,   The simple runes   And pretty tunes, The winsome ways And dear old lays. Ah, dream, dream, dream, dream of childhood’s happy days.

Mrs. V. ’Tis bitter so to hear you speak and mock of marriage mart

Col. V. Quite free you are to listen to the dictates of your heart

Mrs. V. If gold or title, pride or rank do not appeal to you,

Col. V. Perhaps a little mountain home, more fully meets you view.

Anna Oh, love in a cottage is all very well.

Mrs. V.   But that doesn’t meet her wishes. Anna   At scrubbing and washing dishes.


(19

Anna A breakfast of kisses served a’ l’epicure   Would no doubt be lovely, though cloying But repeated for luncheon and dinner, I’m sure,   Would prove just a slight bit annoying. Mrs. V. & Col. V.     Most annoying. Anna & Mrs. V. For your breakfast, luncheon and dinner it would prove most annoying.

Anna Not for your darling daughter, not for your loving child, Living on bread and water, truly is rather mild.

It doesn’t at all enthuse me,   And isn’t exactly wild, Not for your darling daughter, not for me.

Mrs. V. & Col. V. No, not for our darling daughter, etc.

Mrs. V. If gold and romance, rank and love meet with your opposition. Pray tell us, if you know yourself, what is your real ambition.

Anna In days of old, the suitor bold,   Risked all for Lady fair, Rode forth with steed to gallant deed,   To fight, and do, and dare. A soldier’s bride with pomp and pride,   Is what I’d like to be. A man who leads, nor danger heeds,   Is the kind of man for me.

A soldier’s bride, etc.

With foes round him pressing,   Whatever the conflict’s tide No fear e’er confessing,   I’d follow close by his side,

The booming of cannon,   And the rattling of drum and fife, With trumpet sounding And hearts rebounding,   That is life.

Chorus With foes round him pressing, etc. Hark the Gatling gun, gatling gun, gatling gun,

Anna The Gatling gun, hark the Gatling gun.

All (Roll tongue) Br- - - - - - - With foes round him pressing, whatever conflicts tide No fear e’er confessing, She follows close by his side, etc.


FINALE 1.

Duke Most omniscient maid I would by your aid   Geraldine to hasten into saying “yes.”

Anna     Do you love her true?     Does she love you too?

Duke That I have not asked her, I confess.

Anna That you have not asked her, you confess?

Duke That I have not, that I have not asked her, I confess.

Anna Then how do you think the maiden can say “Yes?”   Has she answered “No,”   Said that you should go, And informed you that your pleading was of no avail?

Duke Neither yea nor nay, Would she plainly say.

Anna Ah, Neither yea nor nay, Would she plainly say,   A most significant detail. Make professions warm, Capture her by storm,   Tell her how you’re eating your heart out in grief.

Duke Oh, I pray, suggest Vows that are the best.

Anna These are some that always win belief.   By the stars, Venus, Mars, By the dashing, splashing wavelets in the tree, By the harking, sparking lambkins on the lea,     Hear my plea,     I love thee,     Your own lovey, dovey, I shall ever be. In the twilight and the dawning, In the night and noon and morning, When you smile and when you’re yawning,   I’ll love thee.

Mrs. V. [Shakes hands with the Duke, embraces Anna]   My son blessings on your Grace,   My child, this is your proper place.


FINALE (1)
2nd page.

Anna A most amusing situation.

Gerald. Accept my heart’s congratulation.

Duke I pray you heed not what you saw.

Mrs. V. Oh bliss!

Jack I’d like to crack him in the jaw.

Gerald. [to Duke] You base deceiver, You said I was your sweetest sweet.   I’ll wreak my vengeance, I’ll wed the first man that I meet.

Jack [to Anna] Oh base deceiver,   Hard-hearted maid, Sirenic cheat. I’ll wreak my vengeance.   I’ll wed the first girl that I meet.

Gerald. [to Jack] I’m yours.

Jack [to Gerald.] I’m yours.

Duke [aside] This is very, very bad, But I’m no blooming cad   I’ll make it quite alright for Annabelle. Miss Vandeveer, I pray, Please name our wedding day.

Anna Just when ’twill be, I cannot tell.

Gerald. [spoken] I pray you all my friends, appear, And tidings of great import hear, Duke Branford North Fuz-Somerset, And Earl the fourth Plantagenet, And Percy, Max, and Knight as well, Of Halifax and Pall Mall, Is pledged to marry Annabelle.


3 page

A Duchess so grand of Britain’s best brand,   Our Annabelle soon will be made.   The ways she’ll effect of England’s elect. In pomp and purple all arrayed.

The King she will meet quite en famille;   I wish I was she and she was me,   A crown on her head by day and in bed, To tell her from common bourgeoisie.

Anna   Allow me to state,

Duke   Before it’s too late,

Gerald. She’ll sit on a throne of plush.

Chorus   All hail to the twain, long may they reign.

Jack I wish them hailing and raining and slush.

Gerald. Ah, with a tiara-ra, ra, ra, ra, ra, ra, ra, ray,

Chros.   Ah, with a tiara, ra, ra, ra, etc.

Gerald & Jack A-visiting at Windsor Castle twice a day.

Gerald Going to the tower, Almost every hour,   And driving to the Abbey,   With your private cabby, As befits your very very high degree, Carrying a scepter down through regent street,   Into Piccadilly,   Don’t you care how silly, Trotting in your suite a bunch of the élite, And then you’ll be a real grandee.

Jack A choir will croon a niggery tune, When Annabelle changes her name,   And marries the Duke,   In sword and peruke, And joins the creme-de-la-créme A house they will have in Grosvenor Square, It’s almost too much for me to bear,   And lackeys a score,   Maybe twenty-four or more, All dressed in knee-pants and powdered hair.

Duke   My friends, I implore,

Anna   Pray say no more.


4

Gerald. Sing hurrah, hurrah, and hurray.

Chorus Long live these peers One hundred years.

Jack And for my part they may add one more day, With a tiara, ra, ra, ra, ra, ra, etc.

Chorus   With a tiara, ra, ra, ra, ra, etc.,

Jack & Gerald. A-visiting at Windsor Castle every day, etc.

Annda (and others) A-visiting at Windsor Castle twice a day, etc.

General dance.

[Enter A.D.T. Messenger Boy]

Mes. Boy Telegram for Col. Vandeveer.

[Col. takes telegram, and reads it, he shows great agitation; goes to Pompton and speaks under strong stress]

Col. V. [spoken] The Syndicate refuses to buy the Esperanza mine. My broker tells me that I need five 1000000 million dollars to protect my holdings. Pompton, as a Wall Street man, you will help me out;— a loan.

Pompton I can’t. My money is all in another deal.

Anna What is it, father? [Gawkins listens intently and then hurries off]

Mrs. V. Speak, what has happened.

Col. V. We’re absolutely ruined; penniless, paupers.

Pompton [to Mrs. P.] I’m back of the Syndicate.

[Enter Kitchen Help]

Chorus: Kitchen Helpers: We have waited six months for our pay


5

And some money we must have today,   If you cannot settle now, There will be a jolly row, We won’t linger longer, but we’ll away.

Anna What degradation, humiliation, I thought at least that you were men, Though we sorrow, there comes a morrow, And father’s star will rise, his star will rise agai

Gerald. Her father’s star will rise, etc.

Mrs. V. My husband’s star will rise, etc.

Jack, Stumpy, Chorus Her father’s star will rise, etc.

Kitchen Help [obsequiously] Most politely we bid you adieu Thus concluding this bright interview,   Tho’ our actions shocking are,   We are not particular, In demanding wages when they’re due.

[Exits with dignity. Annabelle comes toward Pompton]

Anna Mr. Pompton, I have a favor to ask, Please do not refuse me.

Pompton [harshly] What do you want?

Anna Will you give me employment in your factory?

Principals What, a working-girl?

Pompton Yes, I’ll give you work.

Chorus What, a working-girl?

Anna Yes, working-girl, I will be.

Pompton I’ll employ you.

Chorus It is best that we should go, It is getting late you know, Good bye.


6

Pompton [to Anna] Report at the factory at seven to-morrow.

Jack Me too?

Principals Farewell, friends forever, Fondest ties must sever, Farewell, farewell, farewell, one and all.

Chorus Sympathetic hearts grieve at your fate, Still we notice it is getting quite late.   So we have to go,   This is Op’ra night you know, And Lucia warbles sharply at eight.

Jack Annabelle.

Anna Farewell.

Jack Farewell, Annabelle.

Anna Farewell, Father, Mother, Our star will rise again.

Jack She’s an angel.

CURTAIN.


Typescript on onion paper.

26

Jack Oh, busy I’ll be as a bee or a beaver, I’m burning all over with working-man’s fever.

The Smiths I’m burning all over with working-man’s fever.

Anna, Jack & The Smiths Yes, busy as seventeen twinlets of Siam.

Geraldine & Jerry You will? Well you won’t be as busy as I am.

Jack For bee-like improving the shining young minutes,

James & John The shining young minute.

Anna You have to extract all the sweetness that’s in it.

The Duke Its beastly bad work when you’re rich as a banker, For manual labor I never did hanker.

Jack No five o’clock tea and no midnight cotillions.

Anna No midnight cotillions, You won’t have much leisure to count up your millions

Gladys, James & John O, ambitious man, we hope you will be able.

Gladys, James, John & Geraldine To work like the typical Trojans of fable.

Anna, Geraldine, Gladys, Jack, James, John Don’t let up a minute, though flurried and dizzy, Your watchword is “Work” and your motto “Get Busy”   Go get busy and tussle,   For life is a hustle, No matter what circle you’re in.   And labor diurnal,   Incessant, eternal, One hardly knows where to begin   He’s so busy, Though social existence looks nice from a distance,   It isn’t a little that way.   It’s bother and worry, and hustle and hurry,   For this is his busy day.

Jack So up with the lark and to bed with the rooster.


(27

James & John Not keeping late hours, as I formerly uster.

Anna, Jack, James & John My breakfast at seven, my supper at sun-down.

Geraldine & Jerry On Sunday to Coney you surely will run down.

Jack I will if they’ll charge but one fare on the trolley.

James & John One fare on the trolley.

Anna If idling a minute to you id a folly

The Duke Eight hours a day will be hardly enough work, For one like yourself who is pining for rough work.

Jack To labor all day, I’ve an absolute passion.

Anna An absolute passion. Excuse me, dear Jack, but you’re not in the fashion.

Chorus (As before)


Typescript on onion paper.

“WIRELESS”
Verse 2.

Jack When wife and hubby disagree How easy now divorce will be In place of trips out West, the pair Can flash their troubles through the air.

Geraldine [wiring] “Dear Judge—just think of such abuse No motor car for my own use.”

Jack [wiring] “Dear Judge—the car I bought for two I think I ought to ride, don’t you?” Don’t you, don’t you, do not you?

Jack Ah! Hark! hear the tick-tick-ticking Hark! hear the click-click-clicking Hark! comes the message— Now, my friends, be clam— [Reads]

“Divorce for lady at the bar With custody of motor car” Thus reads this particular Marconigram.

(All repeat refrain)

Verse 3.

Duke For pugilistic championships Decided only with the lips There’s nothing like the hot air route To settle such a fierce dispute..

Jack [wiring] “Consider that I slapped your wrist And gave your nose an awful twist.”


Duke [wiring] “Regard your face as scratched—so there— Assume that I have pulled your hair.”

Duke Ah! Hark! hear the tick-tick-ticking Hark! hear the click-click-clicking Hark! Now all their bluster is an awful shame [Reads] They’ll never scrap for name or fame, But for the money in the game Thus reads this particular Marconigram.

(All repeat chorus refrain.)


Page 42 is identical to page 21: a duplicate copy of the typescript for “Will you have your fortune told.”


Typescript on onion paper.

--2--

..........Now, haven’t you?

It’s time you stopped treating the subject of marriage as indifferently as you do.

..........as old as that?

I leave it to the girls. (To Girls) She won’t marry the Duke of Branford with all his titles--

..........selection of a husband. But you won’t even select one yourself.

(Matrimonial Mart.)

A soldier’s Bride!

..........daughter of a soldier.

I’d like to know whom you are going to marry?

..........Jack.

(Exit stiffly, L. second entrance.)

(Bus. till curtain)


Typescript with emendations in pencil and blue pencil.

Jack I know. Here are your cables I sent off with the others. [Producing cables. Pompton takes them; surprised] I’m cable censor in this camp, you know.

Col. V. Annab. Jack, YOU mixed up in these stock schemes? [Anna goes to Col. V.]

Jack [to Col. V.] I merely recovered your loss for you — and Annabelle.

Anna We cannot consent to make Mr. Pompton’s loss our gain.

Jack If Wall Street could hear you talk it would go out of business. Annabelle—

Anna [Relents suddenly] My hero! [They embrace]

Geraldine [to Duke] Promise never again to take lessons in love?

Duke [Gallantly] Only with you as the teacher.

-:- FINALE -:-


Manuscript with emendations in black pen.

-1- see page 14

Lefty We’re looking for Jack Bartlett.

Jack I’m it.

Lefty Glad to meet you, brother. I’m Patrick McCarthy, better known as “LEFTY MOC,” walking delegate. These are my able assistants, Pietro Nuttini and Hans Kippel. All of us are members of the Amalgamated and Independent Order of United and Honorable Glass Workers, like yourself.

Jack I’m glad to meet any man who busies himself in the cause of labor. Have a cigar. They’re Perfectos.

Hans Labor iss voik and voik iss labor. Federal Control is vat we need.

McCarty Don’t mind the Dutchman. He don’t know what Federal Control is but he keeps hollerin for it. And, there’s the boy that loves the trusts [points to Nuttini]

Nuttini Ah! Trusts.

McCarty He wouldn’t do a thing to a trust if he met it alone in the dark.

Jack Is he a foreigner?

McCarty No, he’s a Dago.

Jack But votes, doesn’t he?

McCarty Sure he votes. Last election he voted more times than any lad in the district and if the cops hadn’t got him he’d be voting yet.

Jack He’s a model citizen.

McCarty You bet your life he is. But, look here, that ain’t what I want to say to you.


(9)

Geraldine [Seriously puts out her hand] Don’t finish, Your Grace, I won’t be - your - your -

Duke I shall not take that kind of a “no” Miss Pompton.

Geraldine [With heat] Miss Pompton, Miss Pompton! Exactly! Daughter of Silas Pompton—head of the glass trust—financier—multi-millionaire. The rich Miss Pompton! What a magnificent catch! What a dome of dollars her millions could build on Branford Castle. So I’m selected for that honor. Thank you, my dear Duke, but you will have to convince me first that it is me you want and not my money.

Duke I say, you know, I’m no fortune hunter. I have twenty thousand a year.

Geraldine [Laughs] Twenty thousand a year? Why, I give that to my dressmaker.

Duke Well, perhaps I’d better marry the dressmaker. [Laughs]

Geraldine [Laughs] I thought you said you loved me.

Duke [Seriously] Miss Pompton—really—just one word with you. I do—I do and always shall

Geraldine [Counts on fingers] Just - one - word - with - you. That’s five words. [Coquettishly] You look as though you wanted to kiss me. And you would have loved me, if you had never met me.

Duke I’d love you, if you were never [fancy?], you [know?] what I mean


Manuscript in black pen.

24

Ann Why don’t you use your brains and muscle and do something,— anything.

Jack And if I do, will you marry me.

Ann. I might.

Jack If I get a job and stick to it for three weeks, will you be mine.

Ann. I might, if I am a free agent.

Jack Three weeks is a long time—

Ann. Not one day less, if you can hold a job for three weeks you will [durswn?] me and your friends.

Jack I see you are in earnest. Well, so am I. I’ll not give you up. I’m the man you need no matter what kind you want. I am [supposed?] to make a terrible


Manuscript in pencil on onion paper.

Enter Pomp., Mrs. P. + Geraldine
rear

Pompton A friend.

Mc.C Advance and give the countersign. [They advance; Pompton whispers to Mc.C.] Pass on.

[Mr. P., Mrs. P., + Geraldine X [road?] at rear and exit.]

Assembly of Trumpeters

[at the recurrence of the two measures of dream music, the Soldiers move, sit up, etc.]

[Enter Jack, centre]

Song: "Reveille"


Manuscript with emendations in black pen.

-2- see page 14

I want to tell you that when you first came in here with your creased pants and your shiny leather shoes and your white blossoms in your button hole, the boys didn’t have much use for you. But, what you did for them is all right.

Jack Oh, we’re mere trifles. Our Union says we’re all brothers, you know.

McCarty That’s true, but the Union don’t make you buy barrels of candy and bales of ribbons for the girls here and the Union don’t make you have busses take them home from work evenings. And the Union didn’t tell you to put revolving fans over the furnace workers and upholstered chairs under glass-blowers.

Jack That’s nothing. I’m going to organize a country club for the boys and build a club-house. American Club. Every man in the factory is unanimously elected by me.

McCarty Bully for you.

Jack And now that we’ve settled that point, let’s have our luncheon. Can I invite you to a snack of this? I’m (?) as hungry as a wolf.

McCarty What have you got?

Jack Monp. Meup. (Looks in pail)

McCarty What’s that?

Jack A combination of meat and soup — Will you join me

McCarty Thanks, I’ll just look on.

Jack Here’s to the dinner pail, etc.


Manuscript in black pen.

Quintette. Rose - Anna, Geraldine, Jack - Duke -

Dialogue, Anna, Geraldine and Rose

Rose Signor—

Jack What is it fair maid,

Rose Come will you have your fortune told, Cross my palm with coin of gold All your past I will unfold   Your future reveal.

[Reads hand] You love a maid who loves but you But to another maid you flew, A thing no gentleman should do [Mysteriously]   In either woe or weal, You are engaged but love another,

J.     Wonderful.

R. You love another whose engaged.

J.     Marvelous. Tho duty’s call you’d like to smother,   Your heart is not assuaged

[Blindfolds him]

J. Let me but see the one I love,

R. You can must not see, but you shall hear.


Typescript with emendation in pencil.

No more I’ll speed my auto from the Bat’ry to the Bronx No more the cops will yank you on the fly. At the druggist I won’t wink Coca-Cola ’ll be my drink All the blandishments of high-balls I’ll defy   Give my sox to My silk sox give Aunt Maria   Tho’ she wears her own much higher She will find that mine are cooler in July.


Hasty manuscript in pencil, on small lined notepaper.

No more I’ll speed my auto     from New York to [Bal?] No more the cops will yell as you pass by —     yank you on the fly [illegible: “While I saw a garter”??] Give my socks to Aunt Maria Tho she wears her own much higher She will find that mine are cooler in July There will be no   around When I [illegible] my   in Near me a hoax cocktail Need much a ginger “ale” Coca-Cola I’ll No a both dar of lager sometime on do of Much a Not an I had a car

Smith c


Typescript.

(35

Act I:

“NEVERMORE”

Jack The time is night to say good-bye to fashionable frills.

Stumpy You say the time has come to say good bye?

Jack For never more will I dress, That is to a wild excess.

Stumpy Then no longer will I tie your crimson tie.

Jack Give my poker chips to brother, My pajamas send to mother, I will wear a cotton “nightie” till I die.   Fare ye well, Oh frills of fashion,     Fare ye well, Oh social smirk,   For your slave has formed a passion,     For the novelty of work. Tho’ Martin and Del and Sherry and old Reisenweber roar, In the future they will see me never, never more.       (him) Stumpy It is to be good bye to me as well as fashion’s ways?

Jack You certainly have got to quickly trot,

Stumpy I’m an orphan small and frail, And my poor old dad’s in jail,

Jack Oh, my heart is saddened at your saddened lot.

Stumpy Who will put you in your bed, sir? When to all the world you’re dead, sir.   You will miss your little Stumpy on the spot.

Jack Fare ye well, Oh frills of fashion,     Fare ye well, Oh social smirk,   For your slaves has formed a passion,     For the novelty of work. Tho’ the Waldorf, Shanley’s, Rector’s,   And Imperial get sore, In the future they will see me never more, never more.

Stumpy   &emp;   (him)


Manuscript in black pen.

In The Dimness of Twilight

Geraldine When a man goes forth awooing Making love a girl pursuing Then he never should be doing   The absurd

I behind your protestations Your hysterical elations Even stood for your gyrations   Till I heard—

In the dimness of twilight you to tell your love     And over and over you cried I love you, yes love you I want you to be my bride.— I have have heard what Annabelle said But if you were really sincere She’ll love you, yes love you In your notice labeled the catch of the year.

Gerald. It really should not matter But I raised an awful clatter State it When you stood a good stand patter   While I raged

The Duke Annabelle knows my affection Knows the heart of my selection Tho it’s caused so much dejection   I’m engaged

Ger. You’re engaged to Annabelle In the dimness of twilight you are engaged


Manuscript in black pen.

[Enter Geraldine and Duke]

Duke Ah, do not jest: you must let me speak to you — you will let me — if you are the same Miss Geraldine you used to be when we first met.

Geraldine But I’m not, I’ve grown cynical since then— weary, disillusioned, indifferent. I don’t believe in men any more, last of all in you.

Duke You misjudged me. I am not a bad sort.

Geraldine Sing your praises to Annabelle; she will listen.

Duke But I want you to listen.

Geraldine I can’t hear you. My ears are deaf to men who are engaged to other girls one girl then they are in love with me.


Manuscript in black pen.

J. There is something in my optic— Will you diagnose the case.

A. Tho it may be microscoptic It is very out of place. Let me feel your pulse’s beating— Let me look into your eye— I think you’re over-eating That’s the wherefore and the why.   One, two, three—   One two three—   Rather fast   This won’t last— J.   This won’t last!

A. Within your eye there is picturing I see has dust in I see


Manuscript in black pen.

(10

Gerald. You look as if you wanted to kiss me.

The Duke If I must.

Geraldine Oh dear, the look is gone. [disappointedly]

The Duke I’ll try to regain it. [Tries very expressions, to all of which Geraldine shakes her head in the negative.]

Geraldine No, that’s nothing like it.

The Duke I give it up. [despairingly]

The Geraldine Just like a man. What right has a trusty heart to believe in man. You can’t ever remember how you looked a minute ago, when you wanted to kiss me, why what should I should I believe in your protestations.

The Duke But my position, my name, my love is yours if you’ll accept them.

Geraldine And a year hence you’ll forget all about.

The Duke Never.

Geraldine Most men do, why not you. I have a little friend who is suing for alimony, and she was promised love, position and ten thousand a year.

The Duke Did she get them.


Manuscript in black ink.

(14

Col. V. They are now, but just as soon as the insurrection is over they will rise. A Syndicate has an option on the Esperanza, and as soon as they close the stock will quadruple in value. Insurrection or no insurrection. I can let you have some of it.

P. Then you’re heavily engaged, eh.

Col. V. To my last penny. Everything I have is in the deal.

P. Made you short of friends.

Col. V. Well, yes.

P. It will be all right later on but now, news. Well the insurrection is full blast on the blance I have Jackin indians on the war path, there is first a chance that the syndicate will buy.

Col. V. Read this, [Takes telegram from his pocket.]

Mrs. P. [Rises and comes forward] Business again Silas! [to Mrs. V.] My husband’s office is wherever he happens to be standing.

P. I’m coming [Xes, to Mrs. P. aside] The Colonel has just handed me a telegram he has received


Manuscript in black ink.

(15

from his [hostess?]. [Reads it to Mrs. P.] “Expect Syndicate to buy Esperanza any moment.”

Mrs. P. But you told me will your Syndicate would not buy.

P. My dear, your social aspirations are about to be perfected.

Mrs. P. And the Vandeveers!

P. Watchful warts must be for notty.

Mrs. P. Oh Silas. [onengaged]

P. [to V., handing back telegram] I suppose the lookes will resell.


Typescript on onion paper.

Duke What’s your pleasure.

Rose You love a maid and she loves you;

Duke That certainly is very true.

Rose Why don’t you do as others do

Duke I can’t for I’m engaged.

Rose Come forth, etc.

Gerald. La, la.

Duke Do you hear her,

Gerald. Not a sound;

Duke ’Tis very plain Niagara she’d drown.

Gerald. Sweetheart, etc. Repeat all Sweetheart.


Manuscript in blue ink.

Scene page 15–16 out—

After Marconigrams—enter Col. V. and Anna.

V. It looks, liitle partner, as if we are to attack Santiago to-day. The orders are to prepare to march.

Anna. We will be with you.

[Enter Orderly, hands despatch to Col., who reads.]

V. Orders to march. Sound the assembly. Enter Jack and Duke, Anna goes up, but looks furtively at Jack.

J. I may not come back alive.

to

R. Oh my poor Stumpy (wails)—Annabelle rushes down, Geraldine and Nurses rush on.

All What’s the matter?

R. Oh, Miss Annabelle, [Leut?] etc— [Enter Jack to climax of music.]

Jack Full march of the Red Cross. You will


Manuscript in blue ink.

[Jack enters. Salutes Colonel and goes to Annabelle.]

Col. [leaving slang] Jack. It looks like business. [Exit]

Jack [to Anna] Geraldine is here.
Geraldine her.

Anna I wonder what moved her.

Jack I suppose she was here to see the man she adores. [draws himself up proudly.]

Anna You mean she loves you. [Angry]

Jack Why not? All the girls do but you.

Anna If I thought you really loved her, I would marry the Duke.

Jack And if you knew I did not love you, would you marry me.

Anna Of course not.


Manuscript in black ink.

(13)

[Enter group of Guests, Col + Mrs. V., Mr and Mrs. Pompton. Calls in pantomime, listen and exit of ensing conversation and gradually exit.

Colonel Any news from Wall St today, Pompton?

Pompton Stock Market very much depressed over the servicing of Mexican affairs, altho this does not bother me, I’m too busy manufacturing glass to bother much about Wall Street. Just a flyer occasionally for me, that’s all.

Colonel You fly well; we all soon shall [lowers his voice] By the way, Pompton, as an old friend I can let you on a great thing. Do you know of the oil fields at Esperanza Mexico?

Pompton Perfectly. I am in a syndicate that may have banish its if this Mexican indigestion had not don’t they all confidence in speculation in that unhappy country. But Mexico is no place to speculate at present.

V. Ah, things will straighten out shortly. Possibly but Mexican stocks of all sorts are way down. The stock of [illegible] is way down, isn’t it?

[Enter Mrs. V.]


Typescript with emendations in black ink and pencil.

The Duke I like all your customers—except those at the Customs House [Laughs] Do you know, I have waited weeks to be asked that.

Mr. Pumpton [Taps his head, and exit.]

Mrs. P. How Clever; your Grace’s wit will make you the rage at Newport this summer.

Duke My mother, ought to hear you say that. [Mrs. P. exits R.]

Ger. You’re very anxious to win your mother’s good opinion. Aren’t you?

Duke Well, she’s proud of me. In my year, at Oxford, I won the took a first prize for Dominoes.

Ger. I can quite believe that.

Duke And chemistry; I was wonderful at Chemistry. Perfectly fierce, in fact.

Ger. You might have been a great prescription clerk.

Duke You know, I want to help Mr. Pumpton. It has struck me that they do not thoroughly utilize the waste products here.

Ger. No?

Duke I’ve got a book here; Mr. Pumpton thinks the world of it. It’s about glass making. Now, putting two and two together, I think I have hit on a way of making glass, synthetically. I don’t suppose he ever thought of that. you know that

Ger. I don’t suppose he ever did.

Duke Now, you know that glass is composed of Silicates.

Ger. I did not.


-2-

Duke Well, it doesn’t matter: If we take silicate of carbon and mix it with a little—but let me show you practically. [Cross to table L.]

Ger. I am so interested. [Follows him.]

Duke I don’t think I care for that table. [Cross to table R.] Do you mind coming over here? [Ger: laughs and runs across]

Duke Well, to make glass synthetically, you take— look here Miss Pumpton, I’m a rotten business man. You won’t reveal this secret process to anybody?

Ger. Not to a living soul.

Duke Right. Well, you take this bottle marked “G.L.”, that stands for glycerine, and this one marked “ARS” that stands for arsenic. I’m not boring you with these chemical terms, am I?

Ger. I’m listening to every word.

Duke Therefore, taking G.L. and mixing it with ARS, we get the compound G, L.,A.,R.,S., — Glass.

Ger. That’s wonderful, but where is the glass?

Duke Ah! this is not so simple as it sounds. First of all, we must fuse the silicates into a molten mass. Now, this little bottle: if I dropped it, it would blow me into fragments. Do you mind holding it?

Ger. I feel terribly brave.

Duke [reading book] Let it be assumed, that it is desired to produce glass of a Sea Green tint.

Ger. But, I don’t like Seaweed.

Duke I’m afraid it will have to be sea green, the book knows.


-3-

I have it. We pour Oxide of lead into a bath of one-sixty fourth part of Sulphate of Soda. [Pours contents into mortar.] Add two sticks of something that looks like Cinnamon, but doesn’t taste like it.

Ger. Do be careful, your Grace.

Duke Oh, there’s no danger when one is thoroughly up in Chemistry. [Bus.: fingers black]

Ger. Let me see your hands.

Duke Why,

Ger. Are you trying to make stained glass?

Duke I think I’ll just throw in a drop of hydro fluoric acid. It does not say so in the book, but I rather like the name. Chemists don’t mind that!

Ger. Oh, what a horrible smell.

Duke Isn’t it well defined? I didn’t think you had noticed it, and it all comes from this tiny little fellow here. [Sniffs at bottle] A joke’s a joke you know, [throws bottle out of window] Now, this compound must be made glutinous by stirring in one direction with centrifugal force. I suppose you have not brought got a Bunsen burner in your pocket by any chance?

Ger. You frighten me. Now if you will give me that bottle, Geraldine ( Timidly ) I’d rather not. I’m sorry your grace but I came out in a hurry this morning

Duke Oh, that’s all right. Now, watch me carefully. [Bus.: fire-bucket down to table]

Ger. Are you thirsty?


Typescript.

“MARCONIGRAM”

Jack I’ve been much worried by the talk, about the grafting in New York.

Geraldine Why don’t you send a wireless to Enquire if it is really true.

Jack A good idea, excuse me pray. [Exits]

Duke Please don’t be very long away, Because it mayn’t occur to you, but you are in this trio too!

Jack I’m coming, I’m coming. [Off] here I come. [Shows message]

Refrain: Jack Ah! hark hear the click, click, clicking, hark! hear the tick, tick, ticking, bringing the answer from New York, I am. [Reads] your talk of graft is most absurd, I’ve never even heard the word. Now what have we gained by this Marconigram? Your message I consider rude & savors much of spissitude

Once cats and parrots were the rage, with ladies of uncertain age, Your maiden aunt a tie would knit, It made you ill to look at it! And others passsed their time away in hunting parsons; lawful prey of every somewhat “passée” gal from time quite immemorial.

Refrain: Hark! hear the tick, tick, ticking, Hark! hear the click, click, clicking, Keen to know if they still do this, I am, [Reading] “They’ve given up their work and pets, Gone in for being Suffragettes!” So says this particular, etc.,

2nd time “Of them to Albany, a score have walked Though heaven knows what for!”


Typescript. “Washington Bond” watermark on other side.

Duke Not for water.

H. Here little one. This is the crux of the situation. Two drops of this, trickled into the mass, and we get—

Ger. Yes.

Duke [Flash, an explosion of fire crackers] We get a sort of continuous performance.

Ger. I’m afraid your Sea green glass is a failure.

Duke [Bus.: Tears pages out of book] Perhaps you like some blue glass.

Ger. You might must make some glass for us at Newport next summer on the Fourth of July. [Laughs]

Duke I’m afraid that I shall not be able to get there.

Ger. But you promised to be my mother’s guest there. If you don’t come, you’ll miss seeing some of the prettiest girls in the world. Etc.


Manuscript in black ink.

Duet: You do not need a doctor—Annabelle and Jack

J. There is something in my optic Will you diagnose the case?

Tho it may be microspoptic Still it’s rather out of place.

A. Let me feel your pulse’s beating Let me look into your eye, Ah, I see you’re over-eating That’s the wherefore of the why. [dell pung—]

J.   Is it fast?

A.   Beating fast

J.   Not too fast.

A.   Yes, too fast.

You do not need a doctor But only love and laughter, The glances of a maiden Just now is what you’re after, You’d start the welkin ringing Likewise you’d shake the rafter, If she you love, your turtle dove,   Would smile

I do not, etc.

J. I think my heart is quite affected.

A. No one would ever have suspect it.

J. Feel the throbbin’

A. Why it’s bobbin’

J. Never ceases.


Manuscript (Adams?) in green ink, with one line in pencil (not Sousa?) in left margin.

Down in the valley, love   Where the sunny sun is shining es bright Let us dally, love   Every Thursday night When the moonbeams dance     When the balls are ringing, dear     I will be a-singing, dear     Also buck-and-winging, dear       For that’s the Yankee way O why can’t stupid British people see   The humor of the witty U.S.A.?


Manuscript (Adams?) in green ink.

II (24

J. Caesar’s Roman soldiers as they journeyed to their fights Would have to pose as Amazons and march in purple tights. King Richard Third would no more spring that old and honored spiel About “his kingdom for a horse!” but an au-to-mo-bile. Othello’d have to have a song, to sing in baritone, Like “The Sun Shines on Morocco or My Darling Desdemone” While Antony, of regal Cleopatra growing fond Might get a hand with his new song “My Gal’s a Strawb’ry Blonde.”

My gal is a Strawb‘ry blonde She sure has got me conned   She’s Mark’s own Cleopat   Jes’ bet on dat Fo’ my gal is a strawb’ry blonde


Manuscript (Adams?) in green ink, on a (bottom) half-page.

Cleopatra’s a strawb’ry blonde Of day lady Ah sho’ am fond;   She’s a beautiful red   On the top of her head— Cleopatra’s a strawb’ry blonde.