This is the Library of Congress’s Sousa collection, box 1, folder 2: autograph manuscript and typescript libretto from The American Maid. Transcribed and edited by Arthur O’Dwyer (2025). Horizontal rules separate pages.
Corrections and issues are marked in the text like this, with further details in the mouseover text.
No more I'll speed by auto from New York to Baltimore Bat’ry to the Bronx.
No more the cops will yank you on the fly.
At the druggist I won’t wink
Coca-Cola’ll be my drink
All the blandishments of highballs I’ll defy.
Give my socks to Aunt Maria
Tho’ she wears her own much higher
She will find that mine are cooler in July.
(21
Perhaps I am wofully English,
It’s something I am not to blame for,
But all your American jinglish
Silly song I have no name for.
I oughtn’t to say they are silly—
Perhaps, from your view, they are not.
But I can’t see them using both my eyes
So tell me truly, put me hep or wise.
To all the phonies of you Yankee guys,
when someone sings such rot—
Such Thomas rot—
This sort of rot:
CHORUS.
Be my honey, love.
When the bobolinks sing so gay; (Business)
Be my funny love,
In August, the months of June, July and May,
Oh! Be my own Lavinia, dear,
Way down in ol’ Virginia, dear
And I’ll try lovin ya’, dear
For that’s the Yankee way
Oh, why can’t stupid British people see the
sprightly humor of the U.S.A.?
(Entrance of MACK, Act 1.)
Mack [To Parks] Remember your engagement, sire—
Parks [Crestfallen] My engagement looks like a battle.
Mack [Interested] Troubled, sir?
Parks Yes. You know old Pompton thinks I’m a fool.
Mack [With spirit] Don’t stand for it.
Parks [Expectantly] What shall I do, Stumpy?
Mack [Wisely] Make him prove it. [Bus. as both look knowingly] Oh, sir— [offers paper to Parks] O.K. this please.
Parks [Taking paper] What’s this for?
[i>Parks busy reading paper.]
Mack [Unconcerned] Only some more tires—
Parks [Quickly and roars] More tires; great scott, what do you do, eat them?
Mack [Sorry] No sir, but I’m tired—
Parks [Quickly] I should say you were, not only physically but automobileacally, where’s your expense account for yesterday? [Businesslike]
Mack There it is—
[Bus. as Mack unfurls a long roll of paper across stage holding onto one end]
[Smiles]
That’s all I’ve had time to put down—
Parks [Gasping at bill] Are you sure you didn’t forget something?
Mack [Thinking] I think that’s all we spent.
Parks We spent? [Examines bill] Why these extra spark plugs?
Mack [Winks knowingly] Sparking, sir— [Parks glances at him wisely]
Parks [Continues reading] a new glass—
Mack [Quickly] Shield, sir—
Parks [Hotly] Hot air—
Mack [Saluting and unconcerned] No, wind, sir!
[Bus. as Stumpy starts to roll up bill]
Parks [Stops him] What’s that? [Points to bill]
Mack [Looks, then smiles]
Vintage,—er—for the machine—gasoline, sir.
[Keeps on rolling up bill]
Parks [Severely]
Stumpy, you’re spending altogether too much money—
Mack [Explanatory]
But, sir—
Parks
Don’t Butt me, you’re not out in the car now. You must reform your
daily expenditures, like I am going to reform.
Mack [Surprised]
You, sir?
[Into regular dialogue now of just before song “NEVER MORE.”]
[During scene on sofa between the Duke and
Geraldine — Act 1.]
Duke [Apologetically]
Oh, dear me, I’m afraid you’ll imagine me a regular bear—
Gerl. [Quickly]
No fear Duke, bears are noted for their hugging.
[Bus. for her expectant]
Duke [Not noticing]
Aren’t they clumsy creatures too? What?
Gerl. [Hurt]
They at least realize what they are doing.
Duke [Perplexed as to what to say]
Oh, by the by, has your fortune ever been told?
Gerl. [Warmly]
Father will probably tell you if you are interested.
Duke [Embarrassed]
Oh, may I—may I—
[Bus. of Gerl, expectant]
May I kiss—
[She pouts her lips]
your hand?
Gerl. [Vexed]
I can’t get my glove off—
[Bus. as she tugs at her glove]
[Self-confessed]
But I have no veil on.
Duke [Not understanding]
By jove, you look better without one, Miss Pompton.
[Then into scene where she says “Miss Pompton, etc.”]
[During the speech scene by Parks where—
Mack
Who’s got a nickel till I rush the can?
[Bus. as Parks hands him money]
Parks
Here, change that dime.
Mack [Taking money]
How do you want it changed?
Parks
Into a quarter—
[Then right into speech again as before]
(During lunch scene — Act 2.
Parks [To delegation]
Are you boys dining anywhere Tuesday?
Sparks [With others]
No!
[Expectantly]
Parks [Unconcerned]
Won’t you be hungry Wednesday?
(When Parks is ordering waiters to fetch in four hundred lunches—
[Sparks and delegation are eating
and filling their pockets with lunch.]
Parks [Turns and to them]
Have something more, boys.
Sparks [Choking]
No—er, we’re full now.
Parks [Offers it]
Put some in your pockets.
Sparks [Points to others and himself]
Can’t; they’re full too.
[Bus. as waiter holds hand for tip]
Mack [To delegation]
Slip him something.
[Nods to waiter]
Dutch [Makes pass at him]
Chure—dis is dott!
[Italian catches him]
Sparks [To them]
Boys, remember tips are forbidden here.
Parks [Smiling]
So were apples in the garden of Eden.
(Into dialogue just before exit with lunches etc.
(During scene with water pails in Act 2.)
Parks
If I stick to this job I’ll be a great marine artist some day.
Annabel [Eagerly]
How’s that?
Parks [Poses]
Drawing water all day.
In scene where Parks and Wade talk of selling the mine in Act 3 —
Regular dialogue to where he says
Parks
Well I’m crazy to get it.
[Parks starts off]
Wade [Stops him]
Just a minute, I’ll not be led by a fool.
[He passes Parks]
Parks [Looks at him]
Well, I’m not so particular.
[Follows him]
(Wade stops and
Wade
(Into his regular dialogue as to why Parks is against him in this deal etc.)
WHEN YOU CHANGE YOUR NAME TO MINE:
He. You’re the girl for my money
I like your style
And your sweet smile
Makes my heart feel so funny;
Just ’cause you said
“Someday we’ll wed”
We won’t keep a horse but then maybe
Some day if my dreams should come true,
A carriage we’ll keep for the baby
And Sundays I’ll drive it for you.
Refrain There’s girls by the score
But for me, I adore
Just you, dear; and you’re worth all the others;
I haven’t the cash,
So we can’t cut a dash,
But I love you, so nothing else bothers.
In some little flat
We’ll make a start
With everything new and fine,
There we will be happy,
And never be scrappy,
When you change your name to mine.
She I shall learn to do cooking
I’ll bake some pies,
As a surprise;
And for you I’ll be looking
By the front door
Each day at four.
I’ll never be jealous or scold you,
Your wages I’ll keep for you dear.
With bank-books in my name I’ll hold you,
Should love for me cool as I fear.
Refrain There’s girls by the score
But just me you adore,
I’m your dear and I’m worth all the others.
You haven’t the cash
So we can’t cut a dash
But you love me so nothing else bothers.
In some little flat we’ll make our start
With ev’rything new and fine.
There we will be happy
And never be scrappy
When I change my name to thine.
CHEER UP!
Annabelle, Geraldine, Rose, Jack, Stumpy, The Duke.
Jack Let’s go through the world with a smile on our face, tho’ we sorrow
Duke Something like this—?
Rose and Stumpy Something like this—?
All Come, cheer up!
Jack Though we are convinced that each one will be sadder tomorrow
Duke A smile and a kiss—
Rose & Stumpy A smile and a kiss—
All They’ll cheer up!
Black is the night and dreary the day
’Twill always be darksome and dreary
Rough is the road and weary the way
Life’s road is both cut-up and weary ‘Twill always be rough and weary.
The babe gets her bumps—
With the measles and mumps—
So cheer up—
Cheer up.
The (maid/man) gets the hook
When by love (she’s/he’s) forsook
So Cheer up—
Cheer up—
Then hail to the (maid/man) who laughs alway
Twice hail to the (maid/man) who is ever gay
Ha, Ha, Ha!
Cheer up!
Refrain
The sailor’s happy on the seas
The tom-tit is happy among the trees
The bull pup’s happy catching fleas,
So let us cheer up to-day.
The shades of night were falling fast
As through an alpine village past
A youth who bore mid snow and ice
A banner with the strange device
Hark, hear the tick tick ticking
Hist, hear the click, click, clicking
Hist, read the message be it real or sham
Tho Wilson says the tariff’s high
He’ll change it when the piggies fly
Thus reads this particular Marconigram.
T+T+
Kitty Cheatham
Glen MacDonough? Sallie Fisher?
Page 12 is identical to page 9: a duplicate copy of the typescript for “When you change your name to mine.”
The Dinner Pail
The festal board of an Earl or Lord
I do not like a little,
Nor the fancy fare of a millionaire
With its wine and costly victual—
[on pails] Tap, tap! — — Tap, tap!
Its vintage and its victual—
I’m not devote to the table d’hote
With its wine than water thinner;
My simple hunch is the box of lunch—
The pail that holds the dinner.
[on pails] Tap, tap! — — Tap, tap!
The pail that holds the dinner.
CHORUS
So let us lilt a lyrical lay
To the merry meal of the middle of the day
And let us chorus “Hail, all hail
To the winsome, tinsome dinner pail.
Chorus
So let us lilt, etc.
14.
SONG: “THE DINNER PAIL”
The festal board of an Earl or Lord
I do not like a little,
Nor the fancy fare of a millionaire
With its wine and costly victual—
ALL: (on pails) Tap, tap! — — Tap, tap!
Its vintage and its victual
I’m not devote to the table d’hote
With its wine than water thinner;
My simple hunch is the box of lunch
The pail that holds the dinner.
ALL: (on pails) Tap, tap! — — Tap, tap!
The pail that holds the dinner.
CHORUS: So, let us sing a lyrical lay
To the merry meal at the middle of the day
And let us chorus, “Hail, all hail
To the winsome, tinsome dinner pail.”
I have no wish for the soup or fish
For the terrapin or pheasant
The simple sandwich made by hand
To me is far more pleasant.
ALL: (on pails) Tap, tap! — — Tap, tap!
Cold ham to us is pleasant
A hard boiled egg and a turkey leg
And the beer that the boy is bringing
Appeal to me so thoroughlee
I can’t refrain from singing
ALL: (on pails) Tap, tap! — — Tap, tap!
He simply can’t help singing.
Chorus
So let us sing a lyrical lay
To the merry meal at the middle of the day
And let us chorus, “hail, all hail
To the winsome, tinsome, dinner pail.”
Exit at end of duet. Enter Pompton as a Mexican. Pompton
What guarantee have I that the oil workers will be protected?
The Mexican
General Fuentes’ solemn word.
Pompton
And if I don’t pay—
The Mexican
Then zip—up she goes.
Pompton
Sh! Some one is coming.
[Enter Jack.]
Jack
Congratulations, Mr. Pompton, on having Mrs.
Pompton restored to your heart and home.
Pompton
Hush. It was a narrow squeak. They demanded
fifty thousand for her ransom.
Jack
Good things come high.
Pompton
Preposterously high. Just think of it—fifty thousand
dollars for one woman. I wouldn't have minded
a hundred or so. But 50,000.
Jack
Exorbitant. Good thing it wasn’t a [illegible] they
kidnapped.
Pompton
But I got her back without costing me a penny.
Jack
2
Pompton
This gentleman
[pointing to Mexican]
has informed me that
the Esperanza oil fields are in possession of the
rebels.
Jack
Let us hope they’ll put some of the oil on their
troubled waters, and give the stock a chance
to go up.
Pompton
Maybe the works will go up instead. The situation at
Esperanze is most serious. If the insurictas
should revolt—
II act
13½ Col. V.
Hello Jack, I came to conform a review.
Jack
About what
Col. V.
About you and the Esperanza oil fields—
Jack
And you wish to know.
Col. V.
I’ve just learned that Pompton was the disturbing element
in the Syndicate that refused my option and
deliberately planned to ruin me.
Jack
That’s what they say Col. V.
And when my stock was thrown in the market
he bought huge blocks at a ridiculously low
figure.—
Jack
And would have bought all at a still lower
ridiculous figure if I hadn’t appeared
on the horizon and gobbled up the rest.
Col. V.
Then you helping is it as an investment.
Jack
Sure. As soon as Mexico rights itself,
the Esperanza will be worth millions.
Jack
Oh no! He would get up on his hind legs
and howl if he should for one of his humble
wardsmen was fighting him in the stock market.
Col. V.
Why don’t you tell him?
Jack
Geraldine’s Song, with Chorus (23
The dramatist of yesteryear was certainly a yap
He didn’t cater to the mob; he knew not vim nor snap
The Bard of Avon—this is not a knock nor yet a boost
Would have an awful time today to get Macbeth produced
Unless he made the witches six, and in a woodland “set”
Contrived to put some “ginger” in the caldron—a sextette—
With up-to-date vocabulary — Each a pretty miss
To do a swishy dance and sing inanities like this:
Round about the caldron go
All the ladies of the show
Wearing over eighty three
Dollars worth of lingerie
Double, double
Toil and trouble
Life is but a rainbow bubble.
23½
Chorus Round the caldron the ladies go,
They’re the hit of the Shakespeare show,
What a hand they would get
With a duodectette!
Round the caldron the ladies go
/ or /
As the caldron around they go.
QUINTETTE: Rosa — Geraldine — Anna — Jack — Duke.
DIALOGUE: Anna — Geraldine — Rosa.
Rose Signor—
Jack What is it fair maid?
Rose Come will you ahve your fortune told,
Cross my palm with coin of gold;
All your past I will unfold,
Your future reveal.
[Reads hand]
You love a maid who loves but you
But to another maid you flew;
A thing no gentleman should do
[Mysteriously]
In either woe or weal,
You are engaged but love another,
Jack Wonderful!
Rose You love another whose engaged.
Jack Marvelous!
Rose Who duty’s call you’d like to smother,
Your heart is not assuaged.
Jack Let me but see the one I love
Rose [Blindfolds him]
You must not see but you shall hear
Come forth fair maiden, your cavalier is here.
Jack This is a prank of Annabelle and Geraldine.
Just what’s the scheme they’re working I can’t just glean
Rose Come forth fair maid,
Jack Come forth fair maid
Rose Your cavalier is here,
The mighty sovereign of the nile,
Commands you to appear.
Annabelle. La La.
Anna Sweetheart by the twinkling stars on high
Sweetheart by the blueness of the sky
Sweetheart till the deepest sea runs dry
My ev’ry thought is of you.
Anna & Jack Sweetheart, etc.
[Enter Duke]
Rose Signor—
J. There is something in my optic
Will you diagnose the case
Tho it may be microscoptic
This is A. Let me feel your pulse’s beating
Let me look into your eye—
Ah, I One—two—three.
J. One—two—three.
A. Rather fast.
J. Rather fast.
A. It won’t last.
You do not need a doctor—
But only love and laughter
The glances of a maiden
Just now is what you’re after
You’d start the welkin ringing
Likewise you’d shake the rafter
If she you love would only say the word.
J. I think my heart is quite affected.
A. No one would ever have expected.
2
J. I wish you’d give me something for it.
A. Something that will soon restore it.
J. Cruel treatment no doubt tore it.
Into pieces
Both If (I/you) could help no doubt you would,
In fact it’s my belief I should,
Perhaps there’s somebody who could,
Therefore do not give up.
You do not need a doctor, etc.
67½
Duet—Jack and Stumpy
J. The time Fare ye well, O frills of fashion, fare thee well, O social smirk,
For your slave has formed a passion for the novelty Duet. (2) 67¾
II.
S. So it to be good-by to me as well as evening clothes?
J. It certainly includes your worthy self.
S. But what am I to do
When I cannot go to you
And frisk you for a fraction of your pelf?
S+J. I really do not know
Who will furnish (me/you) the dough
When (he stops/I stop) as (my/your) provider of the pelf.
Fare ye well, etc.
Stumpy [affected]
Mr. Jack, sir, I don’t
know what to say–
Jack
Then don’t say it, Stumpy.
Stumpy
I can’t believe it, sir—
(20
Song—Duke
According to popular rumor,
The British mind is none too rapid,
And what is known as Yankee humor,
Strikes Englishmen as rather vapid.
Americans, maybe, are witty
I hate to suggest they are not,
But tell me truly, for I yearn to know,
Just what is funny in your vaudeville show
That makes your audiences giggle so
When someone sings such rot—
Such Thomas rot—
This sort of rot.
Chorus.
In the valley, love,
Where the summer sun shines all day,
Let us dally, love,
And these words he to her did say:
“Whenever bells are ringing, dear,
I’ll always be a-singing, dear,
And also buck-and-winging, dear,
In perfect Yankee way.“
Oh, why can’t stupid British people see the
sprightly humor of the U.S.A.?
Typescript with emendations in pencil.
“WIRELESS.”
VERSE 2
Jack When wife and hubby disagree
How easy now divorce will be
In place of trips out West, the pair
Can flash their troubles through the air.
Geraldine [wiring]
“Dear Judge—just think of such abuse
No motor car for my own use.”
Jack [wiring]
“Dear Judge—the car I bought for two
I think I ought to ride, don’t you?”
Don’t you, don’t you, do not you.
all repeat refrain
Verse 3
Jack [wiring]
“Consider that I slapped your wrist
And gave your nose an awful twist.”
Duke [wiring]
“Regard your face as scratched—so there—
Assume that I have pulled your hair.”
They’ll never scrap for name or fame
But for the money in the game,
Thus reads this particular Marconigram.
All repeat [Workmen begin to form a barricade with tables, stools,
pieces of machinery, which they demolish. The three
walking delegates suddenly seize Pompton Lefty [Loudly]
Now boys, out with him. All together. One, two,—
[They swing Pompton. Geraldine and Jack make determined
effort to stop the crowd that holds Pompton, Geraldine
taking position before the window, and Jack laying his
hand on Lefty’s arm. At that moment, as Lefty is ready
for the third count, enter Col. Vandeveer, in army uniform.]
Col. V. [on threshold—stops in surprise]
Stop! This is not the time for Americans to fight each other.
We have declared war against Spain. President McKinley calls
for 125,000 men. Who volunteers?
[Pause—a change comes over the crowd. Suddenly they
grasp the implements with which they intended to resist
the police. Lefty and Delegates free Pompton, who drops
to the ground, furious and dishevelled. All cheer and
crowd about Col. V.]
All [shouting]
I will! I will!
[They raise their hands]
Pompton [sneeringly]
How about your Union?
Jack
There’s only one Union now, and that’s the U.S.A.
[Renewed cheers]
SONG: “FROM MAINE TO OREGON.”
Act I:
“The Matrimonial Mart”
Anna I cannot understand a bit, when all is done and said,
Why girls are brought into this world for nothing but to wed;
A matrimonial barbecue, the social marriage mart,
That’s all we’re really meant for, and we’re perfect in the part.
Mrs. V. When (I/she) was but a tiny tot, a trusting little girl,
(My/Her) nurse taught to primp and puff, beribbon and becurl,
To smirk and smile and talk with ease
To move with style and grace,
To deck (myself/herself) in clothes that match the contour of my face.
Oh, why did cruel fate ordain that I become a miss?
Would that I always had retained the ignorance that’s bliss,
And stayed forever and a day, in childhood’s fairy-land,
Where everyone and everything are good and pure and grand.
All Three “Little Miss Muffet she sat on a tuffet,
Eating her curds and whey,
Along came a spider and sat down beside her
And frightened Miss Muffet away.”
“Old Mother Hubbard, she went to the cup-board
To get her poor doggie a bone—
And all the rest,
I love the best,
The simple runes
And pretty tunes,
The winsome ways
And dear old lays.
Ah, dream, dream, dream, dream of childhood’s happy days.
Mrs. V. ’Tis bitter so to hear you speak and mock of marriage mart
Col. V. Quite free you are to listen to the dictates of your heart
Mrs. V. If gold or title, pride or rank do not appeal to you,
Col. V. Perhaps a little mountain home, more fully meets you view.
Anna Oh, love in a cottage is all very well.
Mrs. V. But that doesn’t meet her wishes.
Anna At scrubbing and washing dishes.
(19
Anna A breakfast of kisses served a’ l’epicure
Would no doubt be lovely, though cloying
But repeated for luncheon and dinner, I’m sure,
Would prove just a slight bit annoying.
Mrs. V. & Col. V. Most annoying.
Anna & Mrs. V. For your breakfast, luncheon and dinner it would prove most annoying.
Anna Not for your darling daughter, not for your loving child,
Living on bread and water, truly is rather mild.
It doesn’t at all enthuse me,
And isn’t exactly wild,
Not for your darling daughter, not for me.
Mrs. V. & Col. V. No, not for our darling daughter, etc.
Mrs. V. If gold and romance, rank and love meet with your opposition.
Pray tell us, if you know yourself, what is your real ambition.
Anna In days of old, the suitor bold,
Risked all for Lady fair,
Rode forth with steed to gallant deed,
To fight, and do, and dare.
A soldier’s bride with pomp and pride,
Is what I’d like to be.
A man who leads, nor danger heeds,
Is the kind of man for me.
A soldier’s bride, etc.
With foes round him pressing,
Whatever the conflict’s tide
No fear e’er confessing,
I’d follow close by his side,
The booming of cannon,
And the rattling of drum and fife,
With trumpet sounding
And hearts rebounding,
That is life.
Chorus With foes round him pressing, etc.
Hark the Gatling gun, gatling gun, gatling gun,
Anna The Gatling gun, hark the Gatling gun.
All (Roll tongue) Br- - - - - - -
With foes round him pressing, whatever conflicts tide
No fear e’er confessing,
She follows close by his side, etc.
FINALE 1.
Duke Most omniscient maid
I would by your aid
Geraldine to hasten into saying “yes.”
Anna Do you love her true?
Does she love you too?
Duke That I have not asked her, I confess.
Anna That you have not asked her, you confess?
Duke That I have not, that I have not asked her, I confess.
Anna Then how do you think the maiden can say “Yes?”
Has she answered “No,”
Said that you should go,
And informed you that your pleading was of no avail?
Duke Neither yea nor nay,
Would she plainly say.
Anna Ah, Neither yea nor nay,
Would she plainly say,
A most significant detail.
Make professions warm,
Capture her by storm,
Tell her how you’re eating your heart out in grief.
Duke Oh, I pray, suggest
Vows that are the best.
Anna These are some that always win belief.
By the stars, Venus, Mars,
By the dashing, splashing wavelets in the tree,
By the harking, sparking lambkins on the lea,
Hear my plea,
I love thee,
Your own lovey, dovey, I shall ever be.
In the twilight and the dawning,
In the night and noon and morning,
When you smile and when you’re yawning,
I’ll love thee.
Mrs. V. [Shakes hands with the Duke, embraces Anna]
My son blessings on your Grace,
My child, this is your proper place.
FINALE (1) Anna A most amusing situation.
Gerald. Accept my heart’s congratulation.
Duke I pray you heed not what you saw.
Mrs. V. Oh bliss!
Jack I’d like to crack him in the jaw.
Gerald. [to Duke] You base deceiver,
You said I was your sweetest sweet.
I’ll wreak my vengeance,
I’ll wed the first man that I meet.
Jack [to Anna] Oh base deceiver,
Hard-hearted maid, Sirenic cheat.
I’ll wreak my vengeance.
I’ll wed the first girl that I meet.
Gerald. [to Jack] I’m yours.
Jack [to Gerald.] I’m yours.
Duke [aside] This is very, very bad,
But I’m no blooming cad
I’ll make it quite alright for Annabelle.
Miss Vandeveer, I pray,
Please name our wedding day.
Anna Just when ’twill be, I cannot tell.
Gerald. [spoken] I pray you all my friends, appear,
And tidings of great import hear,
Duke Branford North Fuz-Somerset,
And Earl the fourth Plantagenet,
And Percy, Max, and Knight as well,
Of Halifax and Pall Mall,
Is pledged to marry Annabelle.
3 page
A Duchess so grand of Britain’s best brand,
Our Annabelle soon will be made.
The ways she’ll effect of England’s elect.
In pomp and purple all arrayed.
The King she will meet quite en famille;
I wish I was she and she was me,
A crown on her head by day and in bed,
To tell her from common bourgeoisie.
Anna Allow me to state,
Duke Before it’s too late,
Gerald. She’ll sit on a throne of plush.
Chorus All hail to the twain, long may they reign.
Jack I wish them hailing and raining and slush.
Gerald. Ah, with a tiara-ra, ra, ra, ra, ra, ra, ra, ray,
Chros. Ah, with a tiara, ra, ra, ra, etc.
Gerald & Jack A-visiting at Windsor Castle twice a day.
Gerald Going to the tower,
Almost every hour,
And driving to the Abbey,
With your private cabby,
As befits your very very high degree,
Carrying a scepter down through regent street,
Into Piccadilly,
Don’t you care how silly,
Trotting in your suite a bunch of the élite,
And then you’ll be a real grandee.
Jack A choir will croon a niggery tune,
When Annabelle changes her name,
And marries the Duke,
In sword and peruke,
And joins the creme-de-la-créme
A house they will have in Grosvenor Square,
It’s almost too much for me to bear,
And lackeys a score,
Maybe twenty-four or more,
All dressed in knee-pants and powdered hair.
Duke My friends, I implore,
Anna Pray say no more.
4
Gerald. Sing hurrah, hurrah, and hurray.
Chorus Long live these peers
One hundred years.
Jack And for my part they may add one more day,
With a tiara, ra, ra, ra, ra, ra, etc.
Chorus With a tiara, ra, ra, ra, ra, etc.,
Jack & Gerald. A-visiting at Windsor Castle every day, etc.
Annda (and others) A-visiting at Windsor Castle twice a day, etc.
General dance.
[Enter A.D.T. Messenger Boy]
Mes. Boy
Telegram for Col. Vandeveer.
[Col. takes telegram, and reads it, he shows great
agitation; goes to Pompton and speaks under strong stress]
Col. V. [spoken]
The Syndicate refuses to buy the Esperanza Pompton
I can’t. My money is all in another deal.
Anna
What is it, father?
[Gawkins listens intently and then hurries off]
Mrs. V.
Speak, what has happened.
Col. V.
We’re absolutely ruined; penniless, paupers.
Pompton [to Mrs. P.]
I’m back of the Syndicate.
[Enter Kitchen Help]
Chorus: Kitchen Helpers:
We have waited six months for our pay
5
And some money we must have today,
If you cannot settle now,
There will be a jolly row,
We won’t linger longer, but we’ll away.
Anna What degradation, humiliation,
I thought at least that you were men,
Though we sorrow, there comes a morrow,
And father’s star will rise, his star will rise agai
Gerald. Her father’s star will rise, etc.
Mrs. V. My husband’s star will rise, etc.
Jack, Stumpy, Chorus
Her father’s star will rise, etc.
Kitchen Help [obsequiously]
Most politely we bid you adieu
Thus concluding this bright interview,
Tho’ our actions shocking are,
We are not particular,
In demanding wages when they’re due.
[Exits with dignity. Annabelle comes toward Pompton]
Anna Mr. Pompton, I have a favor to ask,
Please do not refuse me.
Pompton [harshly]
What do you want?
Anna Will you give me employment in your factory?
Principals What, a working-girl?
Pompton Yes, I’ll give you work.
Chorus What, a working-girl?
Anna Yes, working-girl, I will be.
Pompton I’ll employ you.
Chorus It is best that we should go,
It is getting late you know,
Good bye.
6
Pompton [to Anna]
Report at the factory at seven to-morrow.
Jack Me too?
Principals Farewell, friends forever,
Fondest ties must sever,
Farewell, farewell, farewell, one and all.
Chorus Sympathetic hearts grieve at your fate,
Still we notice it is getting quite late.
So we have to go,
This is Op’ra night you know,
And Lucia warbles sharply at eight.
Jack Annabelle.
Anna Farewell.
Jack Farewell, Annabelle.
Anna Farewell, Father, Mother,
Our star will rise again.
Jack She’s an angel.
26
Jack Oh, busy I’ll be as a bee or a beaver,
I’m burning all over with working-man’s fever.
The Smiths I’m burning all over with working-man’s fever.
Anna, Jack & The Smiths
Yes, busy as seventeen twinlets of Siam.
Geraldine & Jerry
You will? Well you won’t be as busy as I am.
Jack For bee-like improving the shining young minutes,
James & John The shining young minute.
Anna You have to extract all the sweetness that’s in it.
The Duke Its beastly bad work when you’re rich as a banker,
For manual labor I never did hanker.
Jack No five o’clock tea and no midnight cotillions.
Anna No midnight cotillions,
You won’t have much leisure to count up your millions
Gladys, James & John
O, ambitious man, we hope you will be able.
Gladys, James, John & Geraldine
To work like the typical Trojans of fable.
Anna, Geraldine, Gladys, Jack, James, John
Don’t let up a minute, though flurried and dizzy,
Your watchword is “Work” and your motto “Get Busy”
Go get busy and tussle,
For life is a hustle,
No matter what circle you’re in.
And labor diurnal,
Incessant, eternal,
One hardly knows where to begin
He’s so busy,
Though social existence looks nice from a distance,
It isn’t a little that way.
It’s bother and worry, and hustle and hurry,
For this is his busy day.
Jack So up with the lark and to bed with the rooster.
(27
James & John Not keeping late hours, as I formerly uster.
Anna, Jack, James & John
My breakfast at seven, my supper at sun-down.
Geraldine & Jerry
On Sunday to Coney you surely will run down.
Jack I will if they’ll charge but one fare on the trolley.
James & John One fare on the trolley.
Anna If idling a minute to you id a folly
The Duke Eight hours a day will be hardly enough work,
For one like yourself who is pining for rough work.
Jack To labor all day, I’ve an absolute passion.
Anna An absolute passion.
Excuse me, dear Jack, but you’re not in the fashion.
Chorus (As before)
Jack When wife and hubby disagree
How easy now divorce will be
In place of trips out West, the pair
Can flash their troubles through the air.
Geraldine [wiring]
“Dear Judge—just think of such abuse
No motor car for my own use.”
Jack [wiring]
“Dear Judge—the car I bought for two
I think I ought to ride, don’t you?”
Don’t you, don’t you, do not you?
Jack Ah! Hark! hear the tick-tick-ticking
Hark! hear the click-click-clicking
Hark! comes the message—
Now, my friends, be clam—
[Reads]
“Divorce for lady at the bar
With custody of motor car”
Thus reads this particular Marconigram.
(All repeat refrain)
Verse 3.
Duke For pugilistic championships
Decided only with the lips
There’s nothing like the hot air route
To settle such a fierce dispute..
Jack [wiring]
“Consider that I slapped your wrist
And gave your nose an awful twist.”
Duke [wiring]
“Regard your face as scratched—so there—
Assume that I have pulled your hair.”
Duke Ah! Hark! hear the tick-tick-ticking
Hark! hear the click-click-clicking
Hark! Now all their bluster is an awful shame
[Reads]
They’ll never scrap for name or fame,
But for the money in the game
Thus reads this particular Marconigram.
(All repeat chorus refrain.)
--2--
..........Now, haven’t you?
It’s time you stopped treating the subject of marriage
as indifferently as you do.
..........as old as that?
I leave it to the girls. (To Girls) She won’t marry
the Duke of Branford with all his titles--
..........selection of a husband.
But you won’t even select one yourself.
(Matrimonial Mart.)
A soldier’s Bride!
..........daughter of a soldier.
I’d like to know whom you are going to marry?
..........Jack.
(Exit stiffly, L. second entrance.)
Jack
I know. Here are your cables I sent off with the others.
[Producing cables. Pompton takes them; surprised]
I’m cable censor in this camp, you know.
Jack [to Col. V.]
I merely recovered your loss for you — and Annabelle.
Anna
Jack
If Wall Street could hear you talk it would go out of business.
Annabelle—
Anna [Relents suddenly]
My hero!
[They embrace]
Geraldine [to Duke]
Promise never again to take lessons in love?
Duke [Gallantly]
Only with you as the teacher.
-1- see page 14
Lefty
We’re looking for Jack Bartlett.
Jack
I’m it.
Lefty
Glad to meet you, brother. I’m Patrick McCarthy, better
known as “LEFTY MOC,” walking delegate. These are my
able assistants, Pietro Nuttini and Hans Kippel. All of us are
members of the Amalgamated and Independent Order of
United and Honorable Glass Workers, like yourself.
Jack
I’m glad to meet any man who busies himself in the
cause of labor. Have a cigar. They’re Perfectos.
Hans
Labor iss voik and voik iss labor. Federal Control
is vat we need.
McCarty
Don’t mind the Dutchman. He don’t know what Federal Control
is but he keeps hollerin for it. And, there’s the
boy that loves the trusts
[points to Nuttini]
Nuttini
Ah! Trusts.
McCarty
He wouldn’t do a thing to a trust if he met it alone
in the dark.
Jack
Is he a foreigner?
McCarty
No, he’s a Dago.
Jack
But votes, doesn’t he?
McCarty
Sure he votes. Last election he voted more times than
any lad in the district Jack
He’s a model citizen.
McCarty
You bet your life he is. But, look here, that ain’t what
I want to say to you.
(9)
Geraldine [Seriously puts out her hand]
Don’t finish, Your Grace, I won’t be - your - your -
Duke
I shall not take that kind of a “no” Miss Pompton.
Geraldine [With heat]
Miss Pompton, Miss Pompton! Exactly! Daughter of Silas
Pompton—head of the glass trust—financier—multi-millionaire.
The rich Miss Pompton! What a magnificent catch! What a dome of dollars
her millions could build on Branford Castle. So I’m selected for that honor.
Thank you, my dear Duke, but you will have to convince me first
that it is me you want and not my money.
Duke
I say, you know, I’m no fortune hunter. I have twenty thousand a year.
Geraldine [Laughs]
Twenty thousand a year? Why, I give that to my dressmaker.
Duke
Well, perhaps I’d better marry the dressmaker.
[Laughs]
Geraldine [Laughs]
I thought you said you loved me.
Duke [Seriously]
Geraldine Duke
I’d love you, if you were never [fancy?], you [know?] what I mean
24
Ann
Why don’t you use your brains and muscle and do something,—
anything.
Jack
And if I do, will you marry me.
Ann.
I might.
Jack
If I get a job and stick to it for three weeks,
will you be mine.
Ann.
I might, if I am a free agent.
Jack
Three weeks is a long time—
Ann.
Not one day less, if you can hold a job for three
weeks you will [durswn?] me and your friends.
Jack
I see you are in earnest. Well, so am I. I’ll not
give you up. I’m the man you need no
matter what kind you want. I am [supposed?]
to make a terrible
Enter Pomp., Mrs. P. + Geraldine Pompton
A friend.
Mc.C
Advance and give the countersign.
[They advance; Pompton
whispers to Mc.C.]
Pass on.
[Mr. P., Mrs. P., + Geraldine
X [road?] at rear and
exit.]
Assembly of Trumpeters
[at the recurrence of the two
measures of dream music,
the Soldiers move, sit up, etc.]
[Enter Jack, centre]
-2- see page 14
I want to tell you that when you first came in here with
your creased pants and your shiny leather shoes and your
white blossoms in your button hole, the boys didn’t have
much use for you. But, what you did for them is all right.
Jack
Oh, McCarty
That’s true, but the Union don’t make you buy barrels of
candy and bales of ribbons for the girls here and the
Union don’t make you have busses take them home from work
evenings. And the Union didn’t tell you to put revolving
fans over the furnace workers and upholstered chairs under
glass-blowers.
Jack
That’s nothing. I’m going to organize a country club for
the boys and build a club-house. American Club. Every
man in the factory is unanimously elected by me.
McCarty
Bully for you.
Jack
And now that we’ve settled that point, let’s have our
luncheon. Can I invite you to a snack of this? I’m (?)
as hungry as a wolf.
McCarty
What have you got?
Jack
Monp. Meup. (Looks in pail)
McCarty
What’s that?
Jack
A combination of meat and soup — Will you join me
McCarty
Thanks, I’ll just look on.
Jack
Here’s to the dinner pail, etc.
Quintette. Rose - Anna, Geraldine, Jack - Duke -
Dialogue, Anna, Geraldine and Rose
Rose Signor—
Jack What is it fair maid,
Rose Come will you have your fortune told,
Cross my palm with coin of gold
All your past I will unfold
Your future reveal.
[Reads hand] You love a maid who loves but you
But to another maid you flew,
A thing no gentleman should do
[Mysteriously] In either woe or weal,
You are engaged but love another,
J. Wonderful.
R. You love another whose engaged.
J. Marvelous.
Tho duty’s call you’d like to smother,
Your heart is not assuaged
[Blindfolds him]
J. Let me but see the one I love,
R. You No more I’ll speed my auto from the Bat’ry to the Bronx
No more the cops will yank you on the fly.
At the druggist I won’t wink
Coca-Cola ’ll be my drink
All the blandishments of high-balls I’ll defy
Hasty manuscript in pencil, on small lined notepaper.
No more I’ll speed my auto
from New York to [Bal?]
No more the cops will (35
Act I:
“NEVERMORE”
Jack The time is night to say good-bye to fashionable frills.
Stumpy You say the time has come to say good bye?
Jack For never more will I dress,
That is to a wild excess.
Stumpy Then no longer will I tie your crimson tie.
Jack Give my poker chips to brother,
My pajamas send to mother,
I will wear a cotton “nightie” till I die.
Fare ye well, Oh frills of fashion,
Fare ye well, Oh social smirk,
For your slave has formed a passion,
For the novelty of work.
Tho’ Martin and Del and Sherry and old Reisenweber roar,
In the future they will see me never, never more.
(him)
Stumpy It is to be good bye to me as well as fashion’s ways?
Jack You certainly have got to quickly trot,
Stumpy I’m an orphan small and frail,
And my poor old dad’s in jail,
Jack Oh, my heart is saddened at your saddened lot.
Stumpy Who will put you in your bed, sir?
When to all the world you’re dead, sir.
You will miss your little Stumpy on the spot.
Jack Fare ye well, Oh frills of fashion,
Fare ye well, Oh social smirk,
For your slaves has formed a passion,
For the novelty of work.
Tho’ the Waldorf, Shanley’s, Rector’s,
And Imperial get sore,
In the future they will see me never more, never more.
Stumpy &emp; (him)
In The Dimness of Twilight
Geraldine
When a man goes forth awooing
Making love a girl pursuing
Then he never should be doing
The absurd
I behind your protestations
Your hysterical elations
Even stood for your gyrations
Till I heard—
In the dimness of twilight you Gerald. It really should not matter
But I raised an awful clatter
The Duke Annabelle knows my affection
Knows the heart of my selection
Tho it’s caused so much dejection
I’m engaged
Ger. [Enter Geraldine and Duke]
Duke
Ah, do not jest: you must let me speak to you —
you will let me — if you are the same Miss
Geraldine you used to be when we first met.
Geraldine
But I’m not, I’ve grown cynical since then—
weary, disillusioned, indifferent. I don’t
believe in men any more, last of all in you.
Duke
You misjudged me. I am not a bad sort.
Geraldine
Sing your praises to Annabelle; she will listen.
Duke
But I want you to listen.
Geraldine
I can’t hear you. My ears are
deaf to men who are engaged
to J. There is something in my optic—
Will you diagnose the case.
A. Tho it may be microscoptic
It is very out of place.
Let me feel your pulse’s beating—
Let me look into your eye—
I think you’re over-eating
That’s the wherefore and the why.
One, two, three—
One two three—
Rather fast
This won’t last—
J. This won’t last!
A. (10
Gerald.
You look as if you wanted to kiss me.
The Duke
If I must.
Geraldine
Oh dear, the look is gone.
[disappointedly]
The Duke
I’ll try to regain it.
[Tries very expressions, to all
of which Geraldine shakes her head
in the negative.]
Geraldine
No, that’s nothing like it.
The Duke
I give it up.
[despairingly]
The Geraldine
Just like a man. What right has a
trusty heart to believe in man. You
can’t ever remember how you looked a minute ago,
when you wanted to kiss me, why
The Duke
But my position, my name, my love is
yours if you’ll accept them.
Geraldine
And a year hence you’ll forget all about.
The Duke
Never.
Geraldine
Most men do, why not you. I have a
little friend who is suing for alimony,
and she was promised love, position
and ten thousand a year.
(14
Col. V.
They are now, P.
Then you’re heavily engaged, eh.
Col. V.
To my last penny. Everything I have is in the deal.
P.
Made you short of friends.
Col. V.
Well, yes.
P.
It will be all right later on but now, news. Well
the insurrection is full blast on the blance I have
Jackin indians on the war path, there is first
a chance that the syndicate will buy.
Col. V.
Read this,
[Takes telegram from his pocket.]
Mrs. P. [Rises and comes forward]
Business again Silas!
[to Mrs. V.]
My husband’s
office is wherever he happens to be
standing.
P.
I’m coming
[Xes, to Mrs. P. aside]
The Colonel has just handed me a telegram he has received
(15
from his [hostess?].
[Reads it to Mrs. P.]
“Expect Syndicate
to buy Esperanza any moment.”
Mrs. P.
But P.
My dear, your social aspirations are about to
be perfected.
Mrs. P.
And the Vandeveers!
P.
Watchful warts must be for notty.
Mrs. P.
Oh Silas.
[onengaged]
P. [to V., handing back telegram]
I suppose the lookes will resell.
Duke What’s your pleasure.
Rose You love a maid and she loves you;
Duke That certainly is very true.
Rose Why don’t you do as others do
Duke I can’t for I’m engaged.
Rose Come forth, etc.
Gerald. La, la.
Duke Do you hear her,
Gerald. Not a sound;
Duke ’Tis very plain
Niagara she’d drown.
Gerald. Sweetheart, etc.
Repeat all Sweetheart.
Scene page 15–16 out—
After Marconigrams—enter Col. V. and Anna.
V.
It looks, liitle partner, as if we are
to attack Santiago to-day. The orders
are to prepare to march.
Anna.
We will be with you.
[Enter Orderly, hands despatch
to Col., who reads.]
V.
Orders to march. Sound the
assembly. Enter Jack and
Duke, Anna goes up, but looks furtively
at Jack.
J.
I may not come back alive.
to
R.
Oh my poor Stumpy (wails)—Annabelle
rushes down, Geraldine and Nurses
rush on.
All
What’s the matter?
R.
Oh, Miss Annabelle, [Leut?] etc—
[Enter Jack to climax of music.]
[Jack enters.
Salutes Colonel and goes to Annabelle.]
Col. [leaving slang]
Jack. It looks like business.
[Exit]
Jack [to Anna]
Geraldine is here. Anna
I wonder what moved her.
Jack
I suppose she was here to see the
man she adores.
[draws himself up proudly.]
Anna
You mean she loves you.
[Angry]
Jack
Why not? All the girls do but you.
Anna
If I thought you really loved her, I would
marry the Duke.
Jack
And if you knew I did not love you, would
you marry me.
(13)
[Enter group of Guests, Col + Mrs. V., Mr and Mrs.
Pompton. Colonel
Any news from Wall St today, Pompton?
Pompton
Stock Market very much depressed over the servicing
of Mexican affairs, Colonel
You fly well; we all soon shall
[lowers his voice]
By the way, Pompton, as an old friend I
can let you on a great thing. Do you know of the
oil fields at Esperanza Mexico?
Pompton
Perfectly. V.
Ah, things will straighten out shortly.
Possibly but Mexican stocks of all sorts are way down.
The Duke
I like all your customers—except those at the Customs House
[Laughs]
Do you know, I have waited weeks to be asked that.
Mr. Pumpton
[Taps his head, and exit.]
Mrs. P.
How Clever; your Grace’s wit will make you the rage at Newport this
summer.
Duke
My mother, ought to hear you say that.
[Mrs. P. exits R.]
Ger.
You’re very anxious to win your mother’s good opinion. Aren’t
you?
Duke
Well, she’s proud of me. In my year, at Oxford, I Ger.
I can quite believe that.
Duke
And chemistry; I was wonderful at Chemistry. Perfectly
fierce, in fact.
Ger.
You might have been a great prescription clerk.
Duke
Ger.
Duke
I’ve got a book here; Mr. Pumpton thinks the world of it.
It’s about glass making. Now, putting two and two together,
I think I have hit on a way of making glass, synthetically.
Ger.
I Duke
Now, you know that glass is composed of Silicates.
-2-
Duke
Well, it doesn’t matter: If we take silicate of carbon
and mix it with a little—but let me show you practically.
[Cross to table L.]
Ger.
I am so interested.
[Follows him.]
Duke
I don’t think I care for that table.
[Cross to table R.]
Do you mind coming over here?
[Ger: laughs and runs across]
Duke
Well, to make glass synthetically, you take— look here
Miss Pumpton, I’m a rotten business man. You won’t reveal
this secret process to anybody?
Ger.
Not to a living soul.
Duke
Right. Well, you take this bottle marked “G.L.”, that
stands for glycerine, and this one marked “ARS” that
stands for arsenic. I’m not boring you with these chemical
terms, am I?
Ger.
I’m listening to every word.
Duke
Therefore, taking G.L. and mixing it with ARS, we get
the compound G, L.,A.,R.,S., — Glass.
Ger.
That’s wonderful, but where is the glass?
Duke
Ah! this is not so simple as it sounds. First of all,
we must fuse the silicates into a molten mass.
Now, this little bottle: if I dropped it, it would blow me
into fragments. Do you mind holding it?
Ger.
I feel terribly brave.
Duke [reading book]
Let it be assumed, that it is desired
to produce glass of a Sea Green tint.
Ger.
But, I don’t like Seaweed.
Duke
I’m afraid it will have to be sea green, the book knows.
-3-
I have it. We pour Oxide of lead into a bath of one-sixty fourth
part of Sulphate of Soda.
[Pours contents into mortar.]
Add two sticks of something that looks like Cinnamon, but doesn’t taste like
it.
Ger.
Do be careful, your Grace.
Duke
Ger.
Let me see your hands.
Duke
Why,
Ger.
Are you trying to make stained glass?
Ger.
Oh, what a horrible smell.
Duke
Isn’t it well defined? I didn’t think you had noticed
it, and it all comes from this tiny little fellow here.
[Sniffs at bottle]
A joke’s a joke you know,
[throws bottle out of window]
Now, this compound must be made glutinous by stirring in
one direction with centrifugal force. I suppose you
have not Ger.
Duke
Oh, that’s all right. Now, watch me carefully.
“MARCONIGRAM”
Jack I’ve been much worried by the talk,
about the grafting in New York.
Geraldine Why don’t you send a wireless to
Enquire if it is really true.
Jack A good idea, excuse me pray. [Exits]
Duke Please don’t be very long away,
Because it mayn’t occur to you,
but you are in this trio too!
Jack I’m coming, I’m coming.
[Off] here I come. [Shows message]
Refrain:
Jack Ah! hark hear the click, click, clicking,
hark! hear the tick, tick, ticking,
bringing the answer from New York, I am.
[Reads] your talk of graft is most absurd,
I’ve never even heard the word.
Now what have we gained by this Marconigram?
Your message I consider rude & savors much of spissitude
Once cats and parrots were the rage,
with ladies of uncertain age,
Your maiden aunt a tie would knit,
It made you ill to look at it!
And others passsed their time away
in hunting parsons; lawful prey
of every somewhat “passée” gal
from time quite immemorial.
Refrain: Hark! hear the tick, tick, ticking,
Hark! hear the click, click, clicking,
Keen to know if they still do this, I am,
[Reading] “They’ve given up their work and pets,
Gone in for being Suffragettes!”
So says this particular, etc.,
2nd time “Of them to Albany, a score have walked
Though heaven knows what for!”
Duke
H.
Ger.
Yes.
Duke [Flash, an explosion of fire crackers]
Ger.
I’m afraid your Sea green glass is a failure.
Duke [Bus.: Tears pages out of book]
Perhaps you like some blue glass.
Ger.
You Duke
I’m afraid that I shall not be able to get there.
Ger.
But you promised to be my mother’s guest there. If you
don’t come, you’ll miss seeing some of the prettiest
girls in the world. Etc.
Duet: You do not need a doctor—Annabelle and Jack
J. There is something in my optic
Will you diagnose the case?
Tho it may be microspoptic
Still it’s rather out of place.
A. Let me feel your pulse’s beating
Let me look into your eye,
Ah, I see you’re over-eating
That’s the wherefore of the why. [dell pung—]
J. Is it fast?
A. Beating fast
J. Not too fast.
A. Yes, too fast.
You do not need a doctor
But only love and laughter,
The glances of a maiden
Just now is what you’re after,
You’d start the welkin ringing
Likewise you’d shake the rafter,
If she you love, your turtle dove,
Would smile
I do not, etc.
J. I think my heart is quite affected.
A. No one would ever have suspect it.
J. Feel the throbbin’
A. Why it’s bobbin’
J. Never ceases.
II (24
J. Caesar’s Roman soldiers as they journeyed to their fights
Would have to pose as Amazons and march in purple tights.
King Richard Third would no more spring that old and honored spiel
About “his kingdom for a horse!” but an au-to-mo-bile.
Othello’d have to have a song, to sing in baritone,
Like “The Sun Shines on Morocco or My Darling Desdemone”
While Antony, of regal Cleopatra growing fond
Might get a hand with his new song “My Gal’s a Strawb’ry Blonde.”
Cleopatra’s a strawb’ry blonde
Of day lady Ah sho’ am fond;
She’s a beautiful red
On the top of her head—
Cleopatra’s a strawb’ry blonde.
the Mexican, Senor General Fuentes has despatched request that for lunch—
me for money you promised [illegible] Our army has captured
[Vanem?] and Esperanza. The General
demands expects you to bring him $100,000 today
to protect your property. you promised to protect your property
at Esperanza.
Don’t mention it.
I want Thanks to the Banses wet the rise
Shall I do it.” (Enter Col Vandeveer)
at the club on Wall St.
Pompton Col. V.
Does Pompton know you are bidding have bid against him?
Not now Watch me.
I will.
to Geraldine’s Song
very soundly out of place.
think see you’re over-eating
That’s the wherefore + the why.
has come is nigh to bid goodby to fashionable frills
S. You say the time has come to say good-by?
J. For no longer shall you care
For the garments that I wear
S. No more shall I select the proper tie?
Both No longer (shall I/will he) press
All (my/his) articles of dress
No more (shall I/will he) select the proper tie.
CHORUS Together
(called) of work
And considering his former mode of living very wrong
Boldly bids good-by to Folly... So long... ... So long.
CHORUS Together
Duke Jack
Ah! Hark! hear the tick-tick-ticking
Hark! hear the click-click-clicking
Hark! comes the message—
Now, my friends, be clam—
[reads]
“Divorce for the lady at the bar
With custody of motor car.”
Thus reads this particular Marconigram.
Geraldine Duke
For pugilistic championships
Decided only with the lips
There’s nothing like the hot air route
To settle such a fierce dispute.
Geraldine Duke (reads)
Hark! hear the tick-tick-ticking
Hark! hear the click-click-clicking
Hark! here’s the ruling on this battle sham.
Now all their bluster is an awful sham
[reads]
“That one I shall disqualify
Who makes the other fellow cry.”
Thus reads the referee’s Marconigram.
chorus refrain
before he can who is at the
telephone, and raising him on high, hustle him to a window
L. A workman jumps forward and throws up the window.]
2nd page.
mine.
My broker tells me that I need five 1000000 million dollars
to protect my holdings. Pompton, as a Wall Street
man, you will help me out;— a loan.
“WIRELESS”
Verse 2.
Col. V. Annab.
Jack, YOU mixed up in these stock schemes?
[Anna goes to Col. V.]
We cannot consent to make Mr. Pompton’s loss our gain.
and if the cops hadn’t got him
he’d be voting yet.
Miss Pompton—really—just one word with you.
I do—I do and always shall
[Counts on fingers]
Just - one - word - with - you. That’s five words.
[Coquettishly]
You look as though you wanted to kiss me.
And you would have loved me, if you had never met me.
rear
we’re mere trifles.
Our Union says we’re all brothers, you know.
can must not see, but you shall hear.
Give my sox to My silk sox give Aunt Maria
Tho’ she wears her own much higher
She will find that mine are cooler in July.
yell as you pass by —
yank you on the fly
[illegible: “While I saw a garter”??]
Give my socks to Aunt Maria
Tho she wears her own much higher
She will find that mine are
cooler in July
There will be no around
When I [illegible] my in
Near me a hoax cocktail
Need much a ginger “ale”
Coca-Cola I’ll
No a both dar of lager sometime on do of
Much a
Not an I had a car
to tell your love
And over and over you cried
I love you, yes love you
I want you to be my bride.—
I have have heard what Annabelle said
But if you were really sincere
She’ll love you, yes love you
In your notice labeled the catch of the year.
State it When you stood a good stand patter
While I raged
You’re engaged to Annabelle
In the dimness of twilight you are engaged
other girls one girl then
they are in love with me.
Within your eye there is picturing
I see has dust in
I see
what should I
should I believe in your protestations.
but just as soon as the insurrection is over they
will rise. A Syndicate has an option on the Esperanza,
and as soon as they close the stock will quadruple
in value. Insurrection or no insurrection. I can
let you have some of it.
you told me will your Syndicate would not
buy.
Jack
Full march of the Red Cross. You will
Geraldine her.
Calls in pantomime, listen and
exit of ensing conversation and gradually
exit.
altho this does
not bother me, I’m too busy manufacturing
glass to bother much about Wall Street.
Just a flyer occasionally for me, that’s all.
I am in a syndicate that may have
banish its if this Mexican indigestion had
not don’t they all confidence in speculation
in that unhappy country. But Mexico is no place
to speculate at present.
The stock of [illegible] is way down, isn’t it?
won the
took a first prize for Dominoes.
You know, I want to help Mr. Pumpton. It has struck me
that they do not thoroughly utilize the waste products here.
No?
I don’t suppose he ever thought of that.
you know that
don’t suppose he ever did.
Oh, there’s no danger when one is thoroughly up in
Chemistry.
[Bus.: fingers black]
Duke
I think I’ll just throw in a drop of hydro fluoric acid.
It does not say so in the book, but I rather like the
name. Chemists don’t mind that!
brought got a Bunsen burner in your pocket by any
chance?
You frighten me. Now if you will give me that bottle,
Geraldine ( Timidly ) I’d rather not.
I’m sorry your grace but I came out in a hurry this morning
[Bus.: fire-bucket down to table]
Not for water.
Here little one. This is the crux of the situation. Two drops
of this, trickled into the mass, and we get—
We get a sort of continuous performance.
might must make some glass
for us at Newport next summer on the Fourth of July.
[Laughs]
Down in the valley, love
Where the sunny sun is shining es bright
Let us dally, love
Every Thursday night
When the moonbeams dance
When the balls are ringing, dear
I will be a-singing, dear
Also buck-and-winging, dear
For that’s the Yankee way
O why can’t stupid British people see
The humor of the witty U.S.A.?
My gal is a Strawb‘ry blonde
She sure has got me conned
She’s Mark’s own Cleopat
Jes’ bet on dat
Fo’ my gal is a strawb’ry blonde