Varaldo’s Shahrazad and Chiti’s Centunesimo Canto
Around New Year’s, while our book club was reading Dante’s Divine Comedy, I serendipitously happened across a reference in Douglas Hofstadter’s Le ton beau de Marot (page 125) to a book of poetry by Giuseppe Varaldo titled All’alba Shahrazad andrà ammazzata (“Shahrazad Shall Hang at Dawn”). Hofstadter writes: “In his astonishing tour de force of a book, Varaldo takes roughly fifty classics of Western literature and synopsizes each one in a perfectly constructed classical Italian-style sonnet, in which just one vowel appears.”